Add to ORKGAn analysis of the work of Rose English and Laurie Anderson as female 'performance writers' - artists who write and perform their own work. Particular attention is paid to the dancing body as used in each artists' performance practice, and how playful use of corporeality marks progressive performance / writing spaces
This paper suggests a particular framework for investigating contemporary women performance artists ...
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
intERUPTion: Re-Viewing Motion, Image \u26 the Dancing Body is the written exploration of intERUPTio...
This project will consist of an analysis of the relationship of text to movement in two significant ...
© 2015 Susan Elizabeth BendallMine is an experiential account of writing’s relationship to dance and...
Abstract: Within the Western-based performing arts of the last decade, there has been an increasing ...
58 pagesThis study will consider the connections between the fields of literature and dance on the b...
This paper proposes a challenge to the status of dance in writing practices, where historical defini...
Translation is inevitably challenging work. When the human body and its movement are the subjects tr...
Since the development of interdisciplinary practice, dance has fashioned and cultivated many relatio...
Editorial/Front matter to special issue of the journal Choreographic Practices on 'Words and Dance'
Dance criticism has long been integral to dance as an art form, serving as documentation and validat...
In writing this paper, we-Jill Crosby and Ann Dils-render into text six years of sporadic dialogues....
Currently theatre movement studies tend to occur in actor and director training, rather than introdu...
This article outlines a collaborative enquiry between a dancer and a poet. It considers some past an...
This paper suggests a particular framework for investigating contemporary women performance artists ...
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
intERUPTion: Re-Viewing Motion, Image \u26 the Dancing Body is the written exploration of intERUPTio...
This project will consist of an analysis of the relationship of text to movement in two significant ...
© 2015 Susan Elizabeth BendallMine is an experiential account of writing’s relationship to dance and...
Abstract: Within the Western-based performing arts of the last decade, there has been an increasing ...
58 pagesThis study will consider the connections between the fields of literature and dance on the b...
This paper proposes a challenge to the status of dance in writing practices, where historical defini...
Translation is inevitably challenging work. When the human body and its movement are the subjects tr...
Since the development of interdisciplinary practice, dance has fashioned and cultivated many relatio...
Editorial/Front matter to special issue of the journal Choreographic Practices on 'Words and Dance'
Dance criticism has long been integral to dance as an art form, serving as documentation and validat...
In writing this paper, we-Jill Crosby and Ann Dils-render into text six years of sporadic dialogues....
Currently theatre movement studies tend to occur in actor and director training, rather than introdu...
This article outlines a collaborative enquiry between a dancer and a poet. It considers some past an...
This paper suggests a particular framework for investigating contemporary women performance artists ...
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
intERUPTion: Re-Viewing Motion, Image \u26 the Dancing Body is the written exploration of intERUPTio...