Aim of the paper is to reflect on the visual relationships between the digital heritage from real contents and its tangible reference. First of all the paper analyses the evolution of the Culture in relation to the growth of digital technologies. Then it highlights the role of visual perception and communication. Consequently, it focuses on the nature and characteristics of digital models, intended as complex meta-systems of information. Finally, it points out the multiple dimensions of tangible and digital realities, and how advanced visualizations favour a reciprocal re-mediation
In this chapter I will discuss how the shift from analogue representations of the past, be they of r...
This paper examines the ways heritage sites and tourists engage, hypothesizing about a necessary re-...
Cultural Heritage is as rich as complex and its documentation is an increasing challenge. The digita...
Aim of the paper is to reflect on the visual relationships between the digital heritage from real co...
In this paper I will pose a challenge to digital heritage visualisation that takes as its starting p...
The use of visualisation technologies is well established in digital cultural heritage. The earlier ...
The intention of this paper is to chart, with examples and illustrations, the evolution of the appli...
This paper examines the ways heritage and tourists engage, hypothesizing about a necessary re-thinki...
Physical heritage objects and assets are related to a vast amount of digital information of differen...
The paper explains the progress of my work against the contextual background of recent developments ...
“Our life is half natural and half technological. Half-and-half is good. You cannot deny that high-t...
Collecting organizations such as libraries and museums are vehicles for shifting paradigms of knowle...
The manipulation and crafting of our physical environmentis a fundamental and defining human charact...
The birth of virtual reality marked a new path forward and also gave a fresh view of reality, allowi...
Images are tools in the social construction of reality. The meaning of images is not a feature of th...
In this chapter I will discuss how the shift from analogue representations of the past, be they of r...
This paper examines the ways heritage sites and tourists engage, hypothesizing about a necessary re-...
Cultural Heritage is as rich as complex and its documentation is an increasing challenge. The digita...
Aim of the paper is to reflect on the visual relationships between the digital heritage from real co...
In this paper I will pose a challenge to digital heritage visualisation that takes as its starting p...
The use of visualisation technologies is well established in digital cultural heritage. The earlier ...
The intention of this paper is to chart, with examples and illustrations, the evolution of the appli...
This paper examines the ways heritage and tourists engage, hypothesizing about a necessary re-thinki...
Physical heritage objects and assets are related to a vast amount of digital information of differen...
The paper explains the progress of my work against the contextual background of recent developments ...
“Our life is half natural and half technological. Half-and-half is good. You cannot deny that high-t...
Collecting organizations such as libraries and museums are vehicles for shifting paradigms of knowle...
The manipulation and crafting of our physical environmentis a fundamental and defining human charact...
The birth of virtual reality marked a new path forward and also gave a fresh view of reality, allowi...
Images are tools in the social construction of reality. The meaning of images is not a feature of th...
In this chapter I will discuss how the shift from analogue representations of the past, be they of r...
This paper examines the ways heritage sites and tourists engage, hypothesizing about a necessary re-...
Cultural Heritage is as rich as complex and its documentation is an increasing challenge. The digita...