Throughout the history of gang ethnography, particular dress codes and fashion styles have always been perceived as representations of gang culture. However, since its beginning, many young men enjoyed gang fashion without ‘being’ a gang member. Today, an ever-growing global fashion industry transforms street styles into commodities which are sold to and consumed by a much wider audience than ‘the streets’ inhabitants. This endows street styles, and in this chapter gang fashion, with a semantic ambiguity. While keeping its criminal connotations, gang aesthetics are normalized in the commodification process. This process enables, for instance, consumers of gangsta rap to enjoy gang fashion, but the semantic ambiguity also renders ‘true’ gang...
Fashion as a cultural activity is produced by norms that interpret social and personal meanings. Soc...
© 2019, Springer Nature B.V. The aim of the current study was to understand how gangs have changed i...
Most hip hop fans would like to dress like their favorite artists, but what if the artist wanted to ...
Throughout the history of gang ethnography, particular dress codes and fashion styles have always be...
This chapter discusses the cultural criminology perspective on gangs. Rather than a strictly delinea...
The presence of rap culture in fashion demonstrates a trend in marketing, bringing cultural niches i...
Fashion is widely recognised as a site for social acceptance and rejection, and as a signifier of pe...
This paper engages the evolving dignity takings framework, first developed by Bernadette Atuahene, i...
Subcultural theory and cultural criminology have traditionally viewed ‘underground’ youth movements ...
Rap music has been one of the dominant genres on the charts over the last few years, and Hip Hop ima...
This Article will attempt to highlight certain important features of the expressive function of crim...
International audienceThis chapter discusses the emergence through the lens of assemblage thinking, ...
Hip-hop culture defines itself through four central pillars: DJing, MCing, breakdancing and graffiti...
The overarching aim of this article is to explore the recidivism sequence as one of the largest prob...
This thesis examines about the phenomenon of ganguro fashion that appeared in Japan early 2000. Gang...
Fashion as a cultural activity is produced by norms that interpret social and personal meanings. Soc...
© 2019, Springer Nature B.V. The aim of the current study was to understand how gangs have changed i...
Most hip hop fans would like to dress like their favorite artists, but what if the artist wanted to ...
Throughout the history of gang ethnography, particular dress codes and fashion styles have always be...
This chapter discusses the cultural criminology perspective on gangs. Rather than a strictly delinea...
The presence of rap culture in fashion demonstrates a trend in marketing, bringing cultural niches i...
Fashion is widely recognised as a site for social acceptance and rejection, and as a signifier of pe...
This paper engages the evolving dignity takings framework, first developed by Bernadette Atuahene, i...
Subcultural theory and cultural criminology have traditionally viewed ‘underground’ youth movements ...
Rap music has been one of the dominant genres on the charts over the last few years, and Hip Hop ima...
This Article will attempt to highlight certain important features of the expressive function of crim...
International audienceThis chapter discusses the emergence through the lens of assemblage thinking, ...
Hip-hop culture defines itself through four central pillars: DJing, MCing, breakdancing and graffiti...
The overarching aim of this article is to explore the recidivism sequence as one of the largest prob...
This thesis examines about the phenomenon of ganguro fashion that appeared in Japan early 2000. Gang...
Fashion as a cultural activity is produced by norms that interpret social and personal meanings. Soc...
© 2019, Springer Nature B.V. The aim of the current study was to understand how gangs have changed i...
Most hip hop fans would like to dress like their favorite artists, but what if the artist wanted to ...