The traditional output of philological work aiming at the constitutio textus is the print critical edition with apparatus footnotes showing select variant readings. The digital scholarly edition, instead, is not constrained by the space limits of the printed page, so it can encode and visualize synoptically many versions of a text, as found in different textual witnesses. This opportunity has often been exploited by New Philology editions, in which textual versions are juxtaposed without any attempt to reconstruct an "original" text. However, the digital critical edition can constitute a "third way" between constitutio textus and New Philology: the digital editor can provide different versions of a text from individual witnesses and add a f...
This review of Michelangelo Zaccarello's Teoria e forme del testo digitale (Roma, Carocci, 2019) dis...
-La tecnologia digitale modificando le abitudini di analisi e studio delle fonti manoscritte antiche...
Notwithstanding its main lines of enquiry and its approaches to textual culture are not always share...
The traditional output of philological work aiming at the constitutio textus is the print critical e...
This contribution explores the world of digital critical editions by proposing reflections on the me...
This essay examines what a critical edition of ancient classical texts is supposed to be and to cont...
Le edizioni critiche digitali hanno più di venti anni di storia alle spalle, ma le riflessioni teori...
Per una critica del testo digitale, the last book of Domenico Fiormonte, collects fifteen years of a...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
In this paper we would like to share some thoughts with regard to the preparation of our digital cri...
This paper introduces potentialities and criticisms of digital textual criticism. The aim is to shed...
This paper aims to take place into the ongoing debate about the lack of digital editions of classica...
Il libro è un’introduzione completa e accessibile al fenomeno della testualità digitale e al tempo s...
Broadly speaking, digital philology encompasses the field of textual criticism and editorial scholar...
Digital scholarly editing is a relatively new field within philology and textual criticism, where se...
This review of Michelangelo Zaccarello's Teoria e forme del testo digitale (Roma, Carocci, 2019) dis...
-La tecnologia digitale modificando le abitudini di analisi e studio delle fonti manoscritte antiche...
Notwithstanding its main lines of enquiry and its approaches to textual culture are not always share...
The traditional output of philological work aiming at the constitutio textus is the print critical e...
This contribution explores the world of digital critical editions by proposing reflections on the me...
This essay examines what a critical edition of ancient classical texts is supposed to be and to cont...
Le edizioni critiche digitali hanno più di venti anni di storia alle spalle, ma le riflessioni teori...
Per una critica del testo digitale, the last book of Domenico Fiormonte, collects fifteen years of a...
This volume presents the state of the art in digital scholarly editing. Drawing together the work of...
In this paper we would like to share some thoughts with regard to the preparation of our digital cri...
This paper introduces potentialities and criticisms of digital textual criticism. The aim is to shed...
This paper aims to take place into the ongoing debate about the lack of digital editions of classica...
Il libro è un’introduzione completa e accessibile al fenomeno della testualità digitale e al tempo s...
Broadly speaking, digital philology encompasses the field of textual criticism and editorial scholar...
Digital scholarly editing is a relatively new field within philology and textual criticism, where se...
This review of Michelangelo Zaccarello's Teoria e forme del testo digitale (Roma, Carocci, 2019) dis...
-La tecnologia digitale modificando le abitudini di analisi e studio delle fonti manoscritte antiche...
Notwithstanding its main lines of enquiry and its approaches to textual culture are not always share...