The theme of violence is largely represented in the visual media of ancient Mesopotamia and Syria, from ancient times (fourth millennium BCE) up to the periods of the great empires of Assyria and Babylonia in the first millennium CE. Violent scenes, mostly related to war, principally show the punishment and killing of enemies according to recurrent visual topoi – such as beheading, beating, impalement, blinding, cutting and amputation of limbs – on different media, from cylinder seals to inlays and larger reliefs. This chapter seeks to point out the differing nature of the visual documents and contexts where scenes of violence on monuments and pictures were eventually shown, displayed and thus perceived, and will analyse the representation ...
Speaking of iconographies of war in the Ancient Near East immediately -it could be even said automat...
This paper seeks to define how far we can associate weapon representations in rock art of northwest ...
From the 9th to the 7th century BC, Assyrian kings launched a programme of visualization of their mi...
<p></p><p>Abstract The idea of a predominantly bellicose and cruel Assyrian Empire (Ninth - Seventh ...
Warfare is a significant theme in Neo-Assyrian art but it is limited to specific media and contexts,...
Despite widespread agreement that narratives of divine combat with monstrous antagonists were politi...
Starting from two seal impressions from Tell Mozan, ancient Urkeš (Syria), this paper presents and d...
This book analyzes the history of Mesopotamian imagery from the mid-second to mid-first millennium B...
Version française Violence is becoming an important matter for historians as well as archaeologists ...
While many forms of violence against human beings are considered taboo, others are considered accept...
In modern times, two forms of capital punishment practised in the Assyrian Empire have profoundly in...
This dissertation examines the representation of enemy punishment in prisms, reliefs, epigraphs, and...
This book analyzes the history of Mesopotamian imagery form the mid-second to mid-first millennium B...
Death and destruction of peoples and lands are the reality of war. Since the Old Kingdom the destruc...
The use of symbolism by the ancient Egyptians is an important and powerful way of imposing their vie...
Speaking of iconographies of war in the Ancient Near East immediately -it could be even said automat...
This paper seeks to define how far we can associate weapon representations in rock art of northwest ...
From the 9th to the 7th century BC, Assyrian kings launched a programme of visualization of their mi...
<p></p><p>Abstract The idea of a predominantly bellicose and cruel Assyrian Empire (Ninth - Seventh ...
Warfare is a significant theme in Neo-Assyrian art but it is limited to specific media and contexts,...
Despite widespread agreement that narratives of divine combat with monstrous antagonists were politi...
Starting from two seal impressions from Tell Mozan, ancient Urkeš (Syria), this paper presents and d...
This book analyzes the history of Mesopotamian imagery from the mid-second to mid-first millennium B...
Version française Violence is becoming an important matter for historians as well as archaeologists ...
While many forms of violence against human beings are considered taboo, others are considered accept...
In modern times, two forms of capital punishment practised in the Assyrian Empire have profoundly in...
This dissertation examines the representation of enemy punishment in prisms, reliefs, epigraphs, and...
This book analyzes the history of Mesopotamian imagery form the mid-second to mid-first millennium B...
Death and destruction of peoples and lands are the reality of war. Since the Old Kingdom the destruc...
The use of symbolism by the ancient Egyptians is an important and powerful way of imposing their vie...
Speaking of iconographies of war in the Ancient Near East immediately -it could be even said automat...
This paper seeks to define how far we can associate weapon representations in rock art of northwest ...
From the 9th to the 7th century BC, Assyrian kings launched a programme of visualization of their mi...