This article aims to engage with the ways in which contemporary global cinema looks back at the Italian giallo production of the 1970s through a series of remakes, homages and pastiches. What we define as retrogiallo differs from other examples of “retroexploitation,” where films such as Grindhouse (Rodriguez and Tarantino, 2007) and Hobo with a Shotgun (Eisener, 2011) address nostalgia for a specific kind of spectatorship, the grindhouse circuit, through conscious visual archaisms. Retrogialli present a more complex approach: instead of mimicking the imperfections of analogue indexicality, they fetishize the artisanal quality of filmmaking, displacing the stylistic features of the giallo in a highbrow context. Films such as Amer (Cattet an...
Many commedia all’italiana filmmakers have acknowledged the neorealist mode of production as a sourc...
Many commedia all’italiana filmmakers have acknowledged the neorealist mode of production as a sourc...
With the exception of die-hard aficionados of European or Italian horror cinema, most people may not...
Produced in Italy throughout the sixties and seventies, giallo films were murder mysteries presentin...
This study is a conscious attempt at opening up the discussion on the Italian giallo film of the 196...
GIALLO POLITICO: INVESTIGATION OF A GENRE ABOVE SUSPICION The article is dedicated to giallo po...
The role of amateur footage in archiving and documenting the past has only been recently acknowledge...
This article aims to reconsider the role of adaptation in the development of modern Italian cinema, ...
El giallo és una influent corrent cinematogràfica desenvolupada en Itàlia entre 1960 i 1980. Gènere ...
Este trabajo pretende mostrar una visión algo más detallada, de una moda cinematográfica que abrió l...
The Cineguf and the Memory of Fascism (1944-1976) wants to get deeper into the complex metabolisatio...
This article explores the definition of ‘vintage cinema’ and specifically reevaluates the fetishism...
Revolutionary Nostalgia: Retromania, Neo-Burlesque and Consumer Culture. Marie-Cécile Cervellon and ...
Taking as a point of departure the 1970s concept of the ‘dispositif’, this article seeks to redefine...
This article discusses how the Made in Italy brand helped Italy to recover from economic recession i...
Many commedia all’italiana filmmakers have acknowledged the neorealist mode of production as a sourc...
Many commedia all’italiana filmmakers have acknowledged the neorealist mode of production as a sourc...
With the exception of die-hard aficionados of European or Italian horror cinema, most people may not...
Produced in Italy throughout the sixties and seventies, giallo films were murder mysteries presentin...
This study is a conscious attempt at opening up the discussion on the Italian giallo film of the 196...
GIALLO POLITICO: INVESTIGATION OF A GENRE ABOVE SUSPICION The article is dedicated to giallo po...
The role of amateur footage in archiving and documenting the past has only been recently acknowledge...
This article aims to reconsider the role of adaptation in the development of modern Italian cinema, ...
El giallo és una influent corrent cinematogràfica desenvolupada en Itàlia entre 1960 i 1980. Gènere ...
Este trabajo pretende mostrar una visión algo más detallada, de una moda cinematográfica que abrió l...
The Cineguf and the Memory of Fascism (1944-1976) wants to get deeper into the complex metabolisatio...
This article explores the definition of ‘vintage cinema’ and specifically reevaluates the fetishism...
Revolutionary Nostalgia: Retromania, Neo-Burlesque and Consumer Culture. Marie-Cécile Cervellon and ...
Taking as a point of departure the 1970s concept of the ‘dispositif’, this article seeks to redefine...
This article discusses how the Made in Italy brand helped Italy to recover from economic recession i...
Many commedia all’italiana filmmakers have acknowledged the neorealist mode of production as a sourc...
Many commedia all’italiana filmmakers have acknowledged the neorealist mode of production as a sourc...
With the exception of die-hard aficionados of European or Italian horror cinema, most people may not...