The purpose of this subject is to study and present the basic forms the composers used in the Classical and Romantic Periods in their compositions; to find and state the factors that influenced the composers of the Romantic Period to establish a complete new form and style of composing different from that of the Classical Period; to show how and why the forms of the two periods influenced the modern piano forms; to compare and show the differences between the piano forms of the Classical and Romantic Eras; to explain the particular schools of piano playing and forms during the Classical Period, and to discuss the important composers of the Classical and Romantic Periods and state their contributions of forms. This subject deals with the com...
The polonaise is a genre whose history reaches back over four hundred years. In recent times, the s...
Like most composers, Charles Griffes's piano works display certain recurring stylistic traits. These...
ABSTRACT: An analysis of dynamic markings in 140 works representing three musical periods (Classical...
The Thirty-Two Variations of Beethoven and the Symphonic Etudes of Schumann are important landmarks ...
The purpose of this study is to illustrate the development of piano variations as a genre during th...
The purpose of this project is to examine how piano music changed over the last 300 years. Music of ...
Abstract—This article investigates the relationship between texture and harmony and their influence ...
Jan Ladislav Dussek as an intermediary between classicism and romanticism. Brief characteristics of ...
This thesis explores different ways in which pianist perceive harmony in compositions of the Romanti...
What about music decides whether it will fade from memory or still be taught today? The requirements...
The purpose of this study is to identify salient changes in approaches to Romantic piano music over ...
Includes recorded audio files in WAV and MP3 formats, 59:08 in lengthThe aim of this recital was to ...
In the early Romantic period, mechanical improvements in the piano and the great popularity of opera...
In discussions of mid-twentieth century works for solo piano, there is a common misconception that t...
The relationship between piano manufacturer and composer is interactive, and consequently both compo...
The polonaise is a genre whose history reaches back over four hundred years. In recent times, the s...
Like most composers, Charles Griffes's piano works display certain recurring stylistic traits. These...
ABSTRACT: An analysis of dynamic markings in 140 works representing three musical periods (Classical...
The Thirty-Two Variations of Beethoven and the Symphonic Etudes of Schumann are important landmarks ...
The purpose of this study is to illustrate the development of piano variations as a genre during th...
The purpose of this project is to examine how piano music changed over the last 300 years. Music of ...
Abstract—This article investigates the relationship between texture and harmony and their influence ...
Jan Ladislav Dussek as an intermediary between classicism and romanticism. Brief characteristics of ...
This thesis explores different ways in which pianist perceive harmony in compositions of the Romanti...
What about music decides whether it will fade from memory or still be taught today? The requirements...
The purpose of this study is to identify salient changes in approaches to Romantic piano music over ...
Includes recorded audio files in WAV and MP3 formats, 59:08 in lengthThe aim of this recital was to ...
In the early Romantic period, mechanical improvements in the piano and the great popularity of opera...
In discussions of mid-twentieth century works for solo piano, there is a common misconception that t...
The relationship between piano manufacturer and composer is interactive, and consequently both compo...
The polonaise is a genre whose history reaches back over four hundred years. In recent times, the s...
Like most composers, Charles Griffes's piano works display certain recurring stylistic traits. These...
ABSTRACT: An analysis of dynamic markings in 140 works representing three musical periods (Classical...