The folk tradition has often been divided between two sections: on one side is music,on the other is dance. The aim of this research is to study the relationships between dance and music inside one individual to create a new profile: the dancing musician.The process of this research went through different stages. First of all, I relied on my background as a folk musician and dancer to enable dialogue between these two profiles. Then I went beyond the boundaries of the folk tradition by mixing improvisation and folk music. Finally, I analysed movements, meters and expression of each part in order to combine them and to resolve technical issues of the multitasking process. The present study shows different ways of using this dance-music combi...
The theme of this study was to consider what kinds of roles using improvisation during the working p...
This essay reflects on my experimental projects in historical performance practice that explore poss...
The way that musicians move when they perform is closely linked with their communicative intent and ...
This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a...
The link between musicians and dancers is generally described as strong in many traditional musics a...
Music unites with physical movement in many everyday practices, including dance, musical performance...
This lecture-recital document evaluates the collaborative process in five American works written for...
This thesis examines the study and incorporation of Karnatic (South Indian) violin techniques in con...
The purpose of this work is to explore the artistic processes of an ensemble where a musician and on...
How does one improvise? How can one learn the art of improvisation? By considering these two questio...
The connection between dancers and musicians are very strong in the dancing communities of Cape Bret...
Throughout history the art of dance has often been performed with musical accompaniment. Movement ca...
This thesis explores how the formal elements of participatory linked chain and round dances (movemen...
Folklore movement in the second half of the 20th century played several roles. It was a tool of prop...
The submission focuses on the performance of violin works that incorporate elements of folk music. I...
The theme of this study was to consider what kinds of roles using improvisation during the working p...
This essay reflects on my experimental projects in historical performance practice that explore poss...
The way that musicians move when they perform is closely linked with their communicative intent and ...
This thesis is an inquiry into musical interpretation and performance. It builds on my practice as a...
The link between musicians and dancers is generally described as strong in many traditional musics a...
Music unites with physical movement in many everyday practices, including dance, musical performance...
This lecture-recital document evaluates the collaborative process in five American works written for...
This thesis examines the study and incorporation of Karnatic (South Indian) violin techniques in con...
The purpose of this work is to explore the artistic processes of an ensemble where a musician and on...
How does one improvise? How can one learn the art of improvisation? By considering these two questio...
The connection between dancers and musicians are very strong in the dancing communities of Cape Bret...
Throughout history the art of dance has often been performed with musical accompaniment. Movement ca...
This thesis explores how the formal elements of participatory linked chain and round dances (movemen...
Folklore movement in the second half of the 20th century played several roles. It was a tool of prop...
The submission focuses on the performance of violin works that incorporate elements of folk music. I...
The theme of this study was to consider what kinds of roles using improvisation during the working p...
This essay reflects on my experimental projects in historical performance practice that explore poss...
The way that musicians move when they perform is closely linked with their communicative intent and ...