George A. Romero's zombie films and question of its interpretation as a social critique

This thesis provides a critical reflection to three different approaches to interpretation of zombie films by George A. Romero. Concurrently new interpretation is included. It is based on methodology through genre theory and uses instruments of postanalytical philosophical tradition. Critical reflection of existing approaches provides a view on problems of interpretation of the monster and its ambiguous position within narrative thanks to mutual exclusiveness of these interpretations. My own interpretation aims to examine limits of conception of Romero's films as social subversion. Powered by TCPDF (www.tcpdf.org