DOIAbstract
This is an accepted manuscript of a paper published by the Institute of Acoustics in Proceedings of the Institute of Acoustics on 22/11/2021. The accepted version of the publication may differ from the final published version
This is an accepted manuscript of a paper published by the Institute of Acoustics in Proceedings of the Institute of Acoustics on 22/11/2021. The accepted version of the publication may differ from the final published version
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual med...
The Oxford Handbook of Cinematic Listening explores how “cinematic” and “listening” practices have s...
This article argues that the state of spatial awareness engendered by the art of soundscape composit...
The emotional response to synchronous instances between musical and visual elements within the cinem...
Synchronization has been the key to audiovisual harmony since the advent of sound in cinema. Contemp...
Synchronization has been the key to audiovisual harmony since the advent of sound in cinema. Contemp...
Discussion of cinematic affect most typically attends to response, the impact of the film as we expe...
Watching any digital content without audio is going to be monotonous, as one vital component of cine...
Sound design has been a fundamental component of audiovisual storytelling. However, with technologic...
This handbook offers new ways to read the audiovisual. In the media landscapes of today, conglomerat...
This paper discusses the process of how converting an image into sound can be used to generate an au...
This dissertation examines the evolving articulation of sound and image in contemporary culture, wit...
Abstract. Auditory-visual looming (the presentation of objects moving in depth towards the viewer) i...
This research establishes a link between the human experience of living in sound and the practice of...
This paper looks at the possibilities of exploring the relationship between sound and image in such ...
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual med...
The Oxford Handbook of Cinematic Listening explores how “cinematic” and “listening” practices have s...
This article argues that the state of spatial awareness engendered by the art of soundscape composit...
The emotional response to synchronous instances between musical and visual elements within the cinem...
Synchronization has been the key to audiovisual harmony since the advent of sound in cinema. Contemp...
Synchronization has been the key to audiovisual harmony since the advent of sound in cinema. Contemp...
Discussion of cinematic affect most typically attends to response, the impact of the film as we expe...
Watching any digital content without audio is going to be monotonous, as one vital component of cine...
Sound design has been a fundamental component of audiovisual storytelling. However, with technologic...
This handbook offers new ways to read the audiovisual. In the media landscapes of today, conglomerat...
This paper discusses the process of how converting an image into sound can be used to generate an au...
This dissertation examines the evolving articulation of sound and image in contemporary culture, wit...
Abstract. Auditory-visual looming (the presentation of objects moving in depth towards the viewer) i...
This research establishes a link between the human experience of living in sound and the practice of...
This paper looks at the possibilities of exploring the relationship between sound and image in such ...
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual med...
The Oxford Handbook of Cinematic Listening explores how “cinematic” and “listening” practices have s...
This article argues that the state of spatial awareness engendered by the art of soundscape composit...
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