This work charts the creation of an online resource, which compiles a body of techniques, methods and general information relating to the practice of replicating acoustic instrument performances and orchestral simulation (for the most part using sample based libraries). The work is designed to serve as a database or repository of various techniques and tutorials dealing with multiple aspects or issues which may be encountered as part of this practice. The work currently presented was compiled and researched by the author, but which on completion will then become an open platform for users to access, contribute to, or edit in the future. The resource was developed by following guidelines issued for similar resources and platforms by such onl...
The present work of documentation in the field of music was published in book format by the National...
cote interne IRCAM: Agon06aInternational audienceThis book is a collection of essays, by various com...
This submission for the degree of Master of Philosophy at the Elder Conservatorium of Music, Univers...
In this paper, we will look at the topic of instrument sampling for virtual instrument libraries. Th...
Part A: Scores: Portfolio of Compostions -- Part B: Recordings [Permanent restriction on all sound r...
This thesis investigates a method of orchestral simulation using sample-based synthesis, instrument ...
This PhD submission comprises two parts: firstly, a portfolio of original compositions (80%) and sec...
Sampling is a widely utilized media production technique. It has a multitude of uses in music, sound...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
cote interne IRCAM: Bresson08aInternational audienceFollowing up on the positive experience of The O...
This project attempts to develop a compositional approach where electro-acoustic music can be produc...
This project was undertaken during 2002-2004, funded by Arts Council England (£48,000) and the DTI ‘...
International audienceThis third volume of the OM Composer's book series presents a new collection o...
During my Master’s degree I created a series of electronic collage compositions by superimposing pre...
The TaCEM project (Technology and Creativity in Electroacoustic Music), funded by the AHRC for a dur...
The present work of documentation in the field of music was published in book format by the National...
cote interne IRCAM: Agon06aInternational audienceThis book is a collection of essays, by various com...
This submission for the degree of Master of Philosophy at the Elder Conservatorium of Music, Univers...
In this paper, we will look at the topic of instrument sampling for virtual instrument libraries. Th...
Part A: Scores: Portfolio of Compostions -- Part B: Recordings [Permanent restriction on all sound r...
This thesis investigates a method of orchestral simulation using sample-based synthesis, instrument ...
This PhD submission comprises two parts: firstly, a portfolio of original compositions (80%) and sec...
Sampling is a widely utilized media production technique. It has a multitude of uses in music, sound...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
cote interne IRCAM: Bresson08aInternational audienceFollowing up on the positive experience of The O...
This project attempts to develop a compositional approach where electro-acoustic music can be produc...
This project was undertaken during 2002-2004, funded by Arts Council England (£48,000) and the DTI ‘...
International audienceThis third volume of the OM Composer's book series presents a new collection o...
During my Master’s degree I created a series of electronic collage compositions by superimposing pre...
The TaCEM project (Technology and Creativity in Electroacoustic Music), funded by the AHRC for a dur...
The present work of documentation in the field of music was published in book format by the National...
cote interne IRCAM: Agon06aInternational audienceThis book is a collection of essays, by various com...
This submission for the degree of Master of Philosophy at the Elder Conservatorium of Music, Univers...