Seeing Blackness through Black Expressive Culture: A Reading of Zanele Muholi’s Somnyama Ngonyama – Hail the Dark Lioness

This article examines visual and textual representation of blackness in contemporary black expressive culture. Its primary objective is to discern what blackness means and looks like when seen from the point of view of contemporary black expressive culture. To assess this, I first, briefly, analyze and interpret blackness. Second, I interrogate how contemporary black practitioners critique European ideas of blackness and mirror the complex multidimensionality of black subjecthood by conducting a formal analysis of two pieces of South African artist Zanele Muholi’s Somnyama Ngonyama – Hail the Dark Lioness series. Third, I explore the relationship between visual and textual imagery and their involvement in discourses on race. My intention is to reveal the role text and images play and have played in shaping the concept, perception, and representation of blackness; the visual effect they have had on the black imagination; and the heavy responsibility placed on black writers and artists not only to correct these images but to create images for the collective more often than for themselves