Add to ORKG"Essays and interviews explore the work of Carrie Mae Weems and its place in the history of photography, African American art, and contemporary art." -- Publisher's website
Bi-lingual rack card for the exhibition Carrie Mae Weems: The Usual Suspectshttps://digitalcommons.f...
Emerging from a tradition of African American artists whose central concern was the psychological ne...
Of the pieces shown in the 2016 exhibit “30 Americans” at the Tacoma Art Museum, Carrie Mae Weems\u2...
This dissertation examines the photography of Carrie Mae Weems (born 1953) and her exploration issue...
"For over a decade Carrie Mae Weems has confronted issues of identity, race, gender and class throug...
[Curatorial Introduction to] ‘Studies for A Social Project: Carrie Mae Weems, the Artist as Intellec...
In Not Manet’s Type (1997), photographer Carrie Mae Weems references artists Edouard Manet, Marcel D...
Bi-lingual introductory panels for the exhibition Carrie Mae Weems: The Usual Suspectshttps://digita...
Bi-lingual About the Artist vinyl rewall panels for the exhibition Carrie Mae Weems: The Usual Suspe...
While scholarship on Carrie Mae Weems\u27s series titled From Here I Saw What Happened and I Cried o...
n this essay, I explore how the contemporary black female artists Carrie Mae Weems and Claudia Rank...
Installation image of the exhibition Carrie Mae Weems: The Usual Suspectshttps://digitalcommons.fair...
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appe...
This dissertation considers the work of African American artists Carrie Mae Weems and Romare Bearden...
Combined programs brochure for Fall 2021 exhibitions, including Carrie Mae Weems: The Usual Suspects...
Bi-lingual rack card for the exhibition Carrie Mae Weems: The Usual Suspectshttps://digitalcommons.f...
Emerging from a tradition of African American artists whose central concern was the psychological ne...
Of the pieces shown in the 2016 exhibit “30 Americans” at the Tacoma Art Museum, Carrie Mae Weems\u2...
This dissertation examines the photography of Carrie Mae Weems (born 1953) and her exploration issue...
"For over a decade Carrie Mae Weems has confronted issues of identity, race, gender and class throug...
[Curatorial Introduction to] ‘Studies for A Social Project: Carrie Mae Weems, the Artist as Intellec...
In Not Manet’s Type (1997), photographer Carrie Mae Weems references artists Edouard Manet, Marcel D...
Bi-lingual introductory panels for the exhibition Carrie Mae Weems: The Usual Suspectshttps://digita...
Bi-lingual About the Artist vinyl rewall panels for the exhibition Carrie Mae Weems: The Usual Suspe...
While scholarship on Carrie Mae Weems\u27s series titled From Here I Saw What Happened and I Cried o...
n this essay, I explore how the contemporary black female artists Carrie Mae Weems and Claudia Rank...
Installation image of the exhibition Carrie Mae Weems: The Usual Suspectshttps://digitalcommons.fair...
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appe...
This dissertation considers the work of African American artists Carrie Mae Weems and Romare Bearden...
Combined programs brochure for Fall 2021 exhibitions, including Carrie Mae Weems: The Usual Suspects...
Bi-lingual rack card for the exhibition Carrie Mae Weems: The Usual Suspectshttps://digitalcommons.f...
Emerging from a tradition of African American artists whose central concern was the psychological ne...
Of the pieces shown in the 2016 exhibit “30 Americans” at the Tacoma Art Museum, Carrie Mae Weems\u2...