This piece summarizes some key historical points of connection between new media studies and performance studies, beginning with Marshall McLuhan's concept of telecommunications networks as constitutive of a global theater. In combination with Kurt Lancaster's and Francesca Coppa's theories of fan works as performances, the global theater model can yield new insights into the nature and purpose of Internet fan fiction and fan fiction archives
International festivals are a common phenomenon in global theatre practice. Not only they reveal glo...
Since its inception in 1989, the World Wide Web has grown as a medium for publishing first text, the...
The purpose of the article is to justify the appropriateness of studying media in general and new me...
My dissertation explores the role of transnational audiences in the reception, consumption, and dist...
Global Media Studies is unique in its coverage of places, peoples, institutions, and discourses. Tob...
Having reached a critical mass of participants, performances and the study of Shakespeare in differe...
Performing Shakespeare in modern times is an act of mediation between characters and actors, creatin...
This blog is part of the research project “Global Theatre Histories”, funded by the German Research ...
Rethinking Theatre and its Digital Double is an exploration of the influence of theatre and performa...
This essay provides an overview of artistic work and experimentation leading to the concept of the T...
This volume examines afresh the impact upon acting and performance of digital technologies. It is co...
Shakespeare in Taiwan, Circus in India, Richard Wagner societies in Indonesia, Opera in South-East ...
In our present mediascape, performances of Shakespeare on social networks proliferate. Changing Mode...
Media audiences and reception studies is a shifting area of research in terms of theories and concep...
This article examines the state of the field in the sociological literature on the globalization of ...
International festivals are a common phenomenon in global theatre practice. Not only they reveal glo...
Since its inception in 1989, the World Wide Web has grown as a medium for publishing first text, the...
The purpose of the article is to justify the appropriateness of studying media in general and new me...
My dissertation explores the role of transnational audiences in the reception, consumption, and dist...
Global Media Studies is unique in its coverage of places, peoples, institutions, and discourses. Tob...
Having reached a critical mass of participants, performances and the study of Shakespeare in differe...
Performing Shakespeare in modern times is an act of mediation between characters and actors, creatin...
This blog is part of the research project “Global Theatre Histories”, funded by the German Research ...
Rethinking Theatre and its Digital Double is an exploration of the influence of theatre and performa...
This essay provides an overview of artistic work and experimentation leading to the concept of the T...
This volume examines afresh the impact upon acting and performance of digital technologies. It is co...
Shakespeare in Taiwan, Circus in India, Richard Wagner societies in Indonesia, Opera in South-East ...
In our present mediascape, performances of Shakespeare on social networks proliferate. Changing Mode...
Media audiences and reception studies is a shifting area of research in terms of theories and concep...
This article examines the state of the field in the sociological literature on the globalization of ...
International festivals are a common phenomenon in global theatre practice. Not only they reveal glo...
Since its inception in 1989, the World Wide Web has grown as a medium for publishing first text, the...
The purpose of the article is to justify the appropriateness of studying media in general and new me...