I frame the development, production, and distribution of a Web series, The Real Girl's Guide to Everything Else, as a fan-driven response to an industrial product, Sex and the City. As intermittent participants in the Hollywood industry, the series creators, a diverse group of lesbian, bisexual, and straight women of various ethnicities, positioned their series as a market-oriented product intended to reform the industry from its margins and participate in a growing new media economy. Expanded notions of fan production and industry are needed, as are fresh frameworks for analyzing the effects of digital distribution, especially for communities of color, of women, and of sexual minorities
Panel Rationale This panel takes up the conference theme “Reinvention” through a focus on changes oc...
Communities of fan producers have been creating and consuming works labeled deviant by both laypeopl...
Abstract—For black creators, television remains an elusive yet illustrious art form. Corporate telev...
Abstract: Communities of fan producers have been creating and consuming works labeled deviant by bot...
This project inquires into the constitution and consequences of the changing relationship between me...
x, 160 p. : ill. (some col.)Although the web appears to be a welcoming space for women, online space...
In our ever-global society, fandoms, with their ability to reach and reproduce across cultures, have...
Ang (1991) noted that for media industries, “…television audiences remain extremely difficult to def...
This book tells the story of diverse online creators--women, ethnic and racial minorities, queer fol...
This thesis researches the complexities of internet fandoms surrounding femslash communities on the ...
Ang (1991) noted that for media industries, “…television audiences remain extremely difficult to def...
This dissertation combines insights from feminist and critical race theory to understand the social ...
Autostraddle.com is the most popular independently owned Web site for queer women and a central, org...
Autostraddle.com is the most popular independently owned Web site for queer women and a central, org...
Urbańczyk revisits the argument presented in John Fiske's The Cultural Economy of Fandom from a Marx...
Panel Rationale This panel takes up the conference theme “Reinvention” through a focus on changes oc...
Communities of fan producers have been creating and consuming works labeled deviant by both laypeopl...
Abstract—For black creators, television remains an elusive yet illustrious art form. Corporate telev...
Abstract: Communities of fan producers have been creating and consuming works labeled deviant by bot...
This project inquires into the constitution and consequences of the changing relationship between me...
x, 160 p. : ill. (some col.)Although the web appears to be a welcoming space for women, online space...
In our ever-global society, fandoms, with their ability to reach and reproduce across cultures, have...
Ang (1991) noted that for media industries, “…television audiences remain extremely difficult to def...
This book tells the story of diverse online creators--women, ethnic and racial minorities, queer fol...
This thesis researches the complexities of internet fandoms surrounding femslash communities on the ...
Ang (1991) noted that for media industries, “…television audiences remain extremely difficult to def...
This dissertation combines insights from feminist and critical race theory to understand the social ...
Autostraddle.com is the most popular independently owned Web site for queer women and a central, org...
Autostraddle.com is the most popular independently owned Web site for queer women and a central, org...
Urbańczyk revisits the argument presented in John Fiske's The Cultural Economy of Fandom from a Marx...
Panel Rationale This panel takes up the conference theme “Reinvention” through a focus on changes oc...
Communities of fan producers have been creating and consuming works labeled deviant by both laypeopl...
Abstract—For black creators, television remains an elusive yet illustrious art form. Corporate telev...