This Note aims to explore the legal underpinnings of consumer frustration with Ticketmaster and the rest of the ticket distribution industry as it moves into the electronic age. First, this Note introduces Ticketmaster and examines its use of exclusive dealing agreements with local venues. It then discusses the relevant federal antitrust statutes affecting the industry and the market in which distributors operate. It also analyzes the role exclusive dealing agreements play in stifling competition. Next, this Note discusses the challenges--both legal and economic--to the industry\u27s most visible member. It then discusses Ticketmaster as a possible product of competition in light of some of the new competitors that have entered the marketpl...
“It’s me, hi, I’m the problem, it’s me” is not something Ticketmaster would have anticipated Congres...
In May 2003, without admitting wrongdoing, music distributors and retailers settled with private pla...
This book explores the nature of the music industries before and after the digital revolution from t...
As great admirers of The Boss and as fans of live entertainment, we share in the popular dismay ov...
The ticket distribution industry is changing rapidly. The traditional travel distribution chain comp...
The advent of computerized ticketing has made the purchase of entertainment tickets more convenient ...
The Internet has dramatically changed the methods by which people purchase tickets to events. In the...
Due to the rapid growth of the secondary resale market, purchasing tickets at their face-value price...
When a concert or sporting event sells out, the performer appears popular and the venue enjoys the o...
There has been a dramatic increase in show ticket sales on the Internet from 1999 to 2006. This shif...
The live music business has developed to become the most profitable sector within the overall music ...
In a 1995 article in this journal, we discussed the legal, economic, and ethical concerns in trying ...
On January 4, 2022, customers who purchased tickets via Ticketmaster since July 2021 sued Ticketmast...
34Journal of Venue and Entertainment Management, Vol. 3, Issue 2 Changing Attitudes Regarding Ticke...
Social, economic and legal factors have contributed to the success of ticket scalpers. Recently enac...
“It’s me, hi, I’m the problem, it’s me” is not something Ticketmaster would have anticipated Congres...
In May 2003, without admitting wrongdoing, music distributors and retailers settled with private pla...
This book explores the nature of the music industries before and after the digital revolution from t...
As great admirers of The Boss and as fans of live entertainment, we share in the popular dismay ov...
The ticket distribution industry is changing rapidly. The traditional travel distribution chain comp...
The advent of computerized ticketing has made the purchase of entertainment tickets more convenient ...
The Internet has dramatically changed the methods by which people purchase tickets to events. In the...
Due to the rapid growth of the secondary resale market, purchasing tickets at their face-value price...
When a concert or sporting event sells out, the performer appears popular and the venue enjoys the o...
There has been a dramatic increase in show ticket sales on the Internet from 1999 to 2006. This shif...
The live music business has developed to become the most profitable sector within the overall music ...
In a 1995 article in this journal, we discussed the legal, economic, and ethical concerns in trying ...
On January 4, 2022, customers who purchased tickets via Ticketmaster since July 2021 sued Ticketmast...
34Journal of Venue and Entertainment Management, Vol. 3, Issue 2 Changing Attitudes Regarding Ticke...
Social, economic and legal factors have contributed to the success of ticket scalpers. Recently enac...
“It’s me, hi, I’m the problem, it’s me” is not something Ticketmaster would have anticipated Congres...
In May 2003, without admitting wrongdoing, music distributors and retailers settled with private pla...
This book explores the nature of the music industries before and after the digital revolution from t...