Netlabels are platforms for online distribution and promotion of music released for free under Creative Commons or similar licenses. They are part of the free music scene, which has been developing dynamically since the advent of the Internet and digitalization. The article employs the concept of democratization to analyze the emergence of netlabels and their impact on the dissemination of music. This paper shows that although the democratizing potential of new technologies is to a certain extent disappointing, grassroots free music movements, such as netlabels, spontaneously build institutions that fulfill focusing and filtering functions to help artists and listeners find what they are looking for in the hyper-abundant musical marketplace
Democracy, open source and music education? A Deweyan investigation of music education in digital do...
music/ digital technology/ digital music production/music downloading/ musicians on the Internet/ mu...
Technology has upended the music industry. ‘Digital’ has changed the mechanics of music distribution...
The Internet grew from a network of academic resources requiring specialist knowledge, expensive tec...
Over the past ten years there has been a multiplication of digital technologies and webplatforms tha...
Includes bibliographical references (pages 51-55)The purpose of this study is to investigate whether...
Following the advent of digital media, recorded music has been subject to radical changes in recent ...
In the world of media, changes marked by one active point become the sign of the emergence of a new ...
The music industry is in the throes of a revolution, due to the proliferation of new compression tec...
In this paper I examine the geographical and organisational consequences of the emergence of a new t...
Popular music research has explored digital technologies’ potential for democratizing music consumpt...
In the late 1990s, the MP3 became the de facto standard for digital audio files and the networked co...
The current licensing regime practiced by collective rights organizations (“CROs”) is preventing rig...
To determine whether sharing music over peer-to-peer networks such as Napster should be considered c...
This essay is an attempt to present and critically discuss the phenomenon of music piracy on the Wor...
Democracy, open source and music education? A Deweyan investigation of music education in digital do...
music/ digital technology/ digital music production/music downloading/ musicians on the Internet/ mu...
Technology has upended the music industry. ‘Digital’ has changed the mechanics of music distribution...
The Internet grew from a network of academic resources requiring specialist knowledge, expensive tec...
Over the past ten years there has been a multiplication of digital technologies and webplatforms tha...
Includes bibliographical references (pages 51-55)The purpose of this study is to investigate whether...
Following the advent of digital media, recorded music has been subject to radical changes in recent ...
In the world of media, changes marked by one active point become the sign of the emergence of a new ...
The music industry is in the throes of a revolution, due to the proliferation of new compression tec...
In this paper I examine the geographical and organisational consequences of the emergence of a new t...
Popular music research has explored digital technologies’ potential for democratizing music consumpt...
In the late 1990s, the MP3 became the de facto standard for digital audio files and the networked co...
The current licensing regime practiced by collective rights organizations (“CROs”) is preventing rig...
To determine whether sharing music over peer-to-peer networks such as Napster should be considered c...
This essay is an attempt to present and critically discuss the phenomenon of music piracy on the Wor...
Democracy, open source and music education? A Deweyan investigation of music education in digital do...
music/ digital technology/ digital music production/music downloading/ musicians on the Internet/ mu...
Technology has upended the music industry. ‘Digital’ has changed the mechanics of music distribution...