Dette er vandet, dette er brønden: Om serialitet, abstraktion og kosmologi i David Lynchs Twin Peaks: The Return

The article analyses the newest season of the cult TV series with a focus on seriality and the connection between title sequence, scenario, recurring characters and audiovisual experimentation. It is evident that David Lynch’s newest trip to TV land is a journey into a transformed territory and one that draws heavily on the visual bombardment of avant-garde filmmaking as well as artistic experiments with the expressive possibilities of the medium itself. This is examined through comparison with the Dadaist filmmaker Hans Richter’s early work in film