Aesthetics of shock – the apory of linguistic and extralinguistic in Marulić\u27s epigrams

U radu se istražuju problemi povezanosti i sukobljenosti dostupnih podataka o životu Marka Marulića i njegovih glasgowskih stihova, tematski i stilski raznovrsnih epigrama koji su otkriveni tek krajem 20. stoljeća, a bacaju potpuno novo svjetlo na Marulićeve tematske izbore. Relativno nedavno otkriven kodeks Sveučilišne knjižnice u Glasgowu u izdanju Darka Novakovića sadrži sto četrdeset jedan Marulićev epigram s prijevodom, kazalima, komentarima i pogovorom. Novakovićevoj pomnoj sadržajnoj i filološkoj analizi dodat ćemo stilističko čitanje s osvrtom na najčešća stilska sredstva kojima je Marulić postizao različite funkcije. Promatrat ćemo odnos snažne figurativnosti i retoričke vještine na ograničenu prostoru epigrama. Kao najvažnije mjesto Marulićevih novootkrivenih epigrama istaknut ćemo estetiku šoka koja u čitatelju može nastati zbog izvanjezične aporije moralnog života temeljenog na kršćanskom nauku te informacija o razvratnim mladenačkim epizodama zbog kojih je skoro izgubio život. Druga će snažna opreka biti osvrt na neke Marulićeve religiozne stavove iznesene u „Evanđelistaru” koji se snažno opiru rječniku, tematici i uzorcima ponašanja koji su izneseni u izabranim epigramima glasgowskih stihova. Cilj je rada ukazati na dvojnu narav Marulićevih djela koju potvrđuje postojanje ljubavnih, satiričnih, pa čak i sasvim nepristojnih stihova u epigramima, a koji stoje u opreci s Marulićevim djelima utemeljenima na strogom moralizmu kršćanskih svjetonazora.This paper deals with the problems of connection and conflict between the available data on Marulić\u27s life and the work known as Glasgow verses. Those thematically and stylistically diverse epigrams were discovered at the end of the 20th century and revealed Marulić\u27s topics unknown before. The codex of the University of Glasgow Library contains 141 epigrams, together with translation, indices, commentary and epilogue. This paper will provide a stylistic reading leaning on Novaković\u27s philological analysis, referencing the most common figures of speech that Marulić used in order to achieve various functions. Moreover, this paper will observe the relationship between strong figurativeness and rhetorical skillfulness in a limited form of epigrams. As the most important site of Marulić\u27s epigrams, we highlight the aesthetics of shock that the reader may experience due to the extralinguistic apory of his moral life based on Christianity and its teachings. Another strong contradiction will be exposed through referencing some of the author\u27s religious views expressed in Evanđelistar, which strongly oppose the vocabulary, topics and behavioral patterns expressed in the selected epigrams. The aim of the paper is to point out the dual nature of Marulić\u27s works confirmed by the existence of love, satire and even lewdness in the Glasgow verses, which are in discord with Marulić\u27s works based on the strict moralism of the Christian views