Potraga za pravom subjektivnošću nasuprot otkrivanju transsubjektivizacije u romanu GUT Symmetries Jeanette Winterson

The present paper intends to closely explore the process of identity formation in the characters of Jeanette Winterson’s novel Gut Symmetries in light of Catherine Malabou’s notions of plasticity, destructive plasticity or trauma, and trans-subjectivation. Identity as an inconsistent procedure of becoming would be intensely explicated in Gut Symmetries through the viewpoint of the characters, in particular Alice. Identity as a mere space or crack, which constantly provides the opportunity for the subject to observe himself/herself, could be introduced as Catherine Malabou’s notion of plasticity of the subjectivity or trans-subjectivation in the novel. The juxtaposition of the pliability of quantum physics and trans-subjectivity in the novel would be highlighted to emphasize that presence, time, identity, and even being could be nothing other than plasticity or ever-fluctuating matter and non-matter. Plasticity as the absolute nucleus of existence, identity, and love would be manifested as perceptible in the form of trans-subjectivity. Sadism as a form of destructive plasticity would be spotlighted as the death drive in the novel and it corroborates the plasticity of love, which could betransformed into hate. Spotlighting femininity as essenceless, Alice and Stella would be represented as the instances of femininity that is mutable and erratic.Rad pomno istražuje proces oblikovanja identiteta u likovima romana Gut Symmetries spisateljice Jeanette Winterson sljedećim pojmovima Catherine Malabou: plastičnost, destruktivna plastičnost ili trauma te transsubjektivacija. Identitet kao nedosljedan proces postajanja u romanu se analizira kroz perspektivu likova, posebice Alice. Identitet kao puki prostor ili pukotinu, koji subjektu pruža trajnu mogućnost da sam sebe promatra, moguće je predstaviti kao Malabouin pojam plastičnosti subjektivnosti ili transsubjektivacije. Pritom se u odnos dovode podatnost kvantne fizike te transsubjektivnosti s ciljem isticanja kako prisutnost, vrijeme, identitet, pa čak i biće, nisu ništa drugo doli plastičnosti ili neprestano fluktuirajuće (ne)materije. Plastičnost kao apsolutna srž postojanja, identiteta i ljubavi očituje se kroz transsubjektivnost. Sadizam kao oblik destruktivne plastičnosti ističe se u romanu kao smrtonosni nagon i potvrđuje plastičnost ljubavi, otvorene za pretvorbu u mržnju. Ističući ženstvenost kao odsutnost suštine, Alice i Stella donose se kao primjeri promjenjive i nestalne ženstvenosti