‘We thought she was a witch’ uses my own ‘memory archive’ to give texture to the complex inheritance of gender, class and race that characterises the present. Drawing on interviews, archival data and fictionalisation, the article explores the role of gendered labour in securing dominant understandings of class progress. Starting from stories, my mother and I weave together of the history of 64 Chepstow Road, Newport (where her maternal family lived), I highlight the cost of historiography that does not pay attention to what is written out of family memory. The article draws on existing feminist memory work to flesh out an intersectional approach to the ‘memory archive’ we inherit and introduces the importance of an imaginative approach to t...
In this paper I consider the critical role of auto/biographies in the writing of a Foucauldian genea...
This paper explores the ways that women have been deemed witches throughout history. Salem, 1692, wa...
Critical discussion of Elizabeth Jolley’s The Well (1986) has largely focused on issues of gender, b...
Human history is older than written words. Knowledge has passed from generation to generation and “t...
In this contribution, I look back at my research of writing a genealogy of women workers’ education ...
From the article: The purpose of my memory work project and this article is to begin to create a “hi...
This thesis offers a detailed exploration of what it means to be living as a white mother of a ’mixe...
This is the author accepted manuscript. The final version is available from SAGE Publications via th...
The project centres on my own connections, through family, to the free middle-class women who were ...
Consisting of a what I term a queer rereading of the U.S. slavery archive, this project focuses on t...
Witches are having a moment in English-language popular culture and politics. The witch contains com...
This thesis examines the ancestor figure in African American women writers’ neoslave narratives. Dr...
This thesis concerns constructions and reproductions of whiteness in familial memory-making in the S...
In this paper, I have argued that the family can sow the seeds of feminism through the lived feminis...
The focus of this article is a single personal narrative – a Shetland woman’s telling of a story abo...
In this paper I consider the critical role of auto/biographies in the writing of a Foucauldian genea...
This paper explores the ways that women have been deemed witches throughout history. Salem, 1692, wa...
Critical discussion of Elizabeth Jolley’s The Well (1986) has largely focused on issues of gender, b...
Human history is older than written words. Knowledge has passed from generation to generation and “t...
In this contribution, I look back at my research of writing a genealogy of women workers’ education ...
From the article: The purpose of my memory work project and this article is to begin to create a “hi...
This thesis offers a detailed exploration of what it means to be living as a white mother of a ’mixe...
This is the author accepted manuscript. The final version is available from SAGE Publications via th...
The project centres on my own connections, through family, to the free middle-class women who were ...
Consisting of a what I term a queer rereading of the U.S. slavery archive, this project focuses on t...
Witches are having a moment in English-language popular culture and politics. The witch contains com...
This thesis examines the ancestor figure in African American women writers’ neoslave narratives. Dr...
This thesis concerns constructions and reproductions of whiteness in familial memory-making in the S...
In this paper, I have argued that the family can sow the seeds of feminism through the lived feminis...
The focus of this article is a single personal narrative – a Shetland woman’s telling of a story abo...
In this paper I consider the critical role of auto/biographies in the writing of a Foucauldian genea...
This paper explores the ways that women have been deemed witches throughout history. Salem, 1692, wa...
Critical discussion of Elizabeth Jolley’s The Well (1986) has largely focused on issues of gender, b...