This article presents the Norwegian applied theatre project called P:UNKT, which suggests a meeting point, a crossroads and encounters. The aim of the project was to stimulate integration and cultural diversity, with the outreach nature of P:UNKT resulting in new ways of interaction and collaboration across groups and institutions. I conducted research on the project from 2010 to 2012 and three years later, in 2016. I claim that the project enabled ethnic Norwegians and immigrants to create unique storytelling theatre together that transcended the conventional preconceptions of us and them, resulting in the emergence of a new ‘we’. This type of social and applied theatre run by a professional, state-funded theatre is not common in Norway. T...
This thesis sought to analyse Norwegian Integration Act and policies and to examine whether it is mu...
Which kinds of Sáminess are expressed and engaged with music in Sámi theatre? Through descriptions o...
In this article the author explores the interface of theatre, society and mediation in contexts of m...
The article proposes that non-hierarchical participatory models in the lineage of communitybased art...
The article proposes that non-hierarchical participatory models in the lineage of community-based ar...
Theatre is one of the artistic tools most often employed in Sweden to promote social integration. Th...
This thesis investigates Mangfoldsåret or “The Year of Cultural Diversity,” the 2008 Norwegian gover...
This thesis investigates the state of cultural diversity in the Norwegian theatre field during the p...
With the influence of the European Union, the Scottish Government has regarded the pursuit of social...
The purpose of this thesis is to investigate the notion of multiculturalism in relation to theatre a...
This article addresses the ‘My Stage’ participatory theatre project for women with an immigrant back...
Audience participation is a concept discussed across the areas of cultural policy, cultural manageme...
This article explores a possible methodological framework for investigating verbal theatre language....
This article is based on the project: Empowerment of Citizens in aMulticultural Society. We wanted t...
This article discusses how art-based research can function as a decolonizing research method. Its an...
This thesis sought to analyse Norwegian Integration Act and policies and to examine whether it is mu...
Which kinds of Sáminess are expressed and engaged with music in Sámi theatre? Through descriptions o...
In this article the author explores the interface of theatre, society and mediation in contexts of m...
The article proposes that non-hierarchical participatory models in the lineage of communitybased art...
The article proposes that non-hierarchical participatory models in the lineage of community-based ar...
Theatre is one of the artistic tools most often employed in Sweden to promote social integration. Th...
This thesis investigates Mangfoldsåret or “The Year of Cultural Diversity,” the 2008 Norwegian gover...
This thesis investigates the state of cultural diversity in the Norwegian theatre field during the p...
With the influence of the European Union, the Scottish Government has regarded the pursuit of social...
The purpose of this thesis is to investigate the notion of multiculturalism in relation to theatre a...
This article addresses the ‘My Stage’ participatory theatre project for women with an immigrant back...
Audience participation is a concept discussed across the areas of cultural policy, cultural manageme...
This article explores a possible methodological framework for investigating verbal theatre language....
This article is based on the project: Empowerment of Citizens in aMulticultural Society. We wanted t...
This article discusses how art-based research can function as a decolonizing research method. Its an...
This thesis sought to analyse Norwegian Integration Act and policies and to examine whether it is mu...
Which kinds of Sáminess are expressed and engaged with music in Sámi theatre? Through descriptions o...
In this article the author explores the interface of theatre, society and mediation in contexts of m...