The 2012 Oslo International Acting Festival had focus on a confrontation between the System of Constantin Stanislavsky – used in the school as the main pedagogical approach – with other German and American acting traditions. From America, the derivation of Stanislavsky’s ideas with Micheal Chechov, and the two most important personalities of the Group Theater, Sanford Meisner and Lee Strasberg, and from the new groundbreaking ideas from German theater tradition such as Brecht and post-dramatic approaches. Festival curators: Øystein Stene and Gianluca Iumiento. Video recordings: Day 1: -Stanislavsky Acting System. Debate (Sound only) -Stanislavsky Acting System. Conversation between Øystein Stene and Hans Henriksen Day 2: -Michael Chekho...
This Introduction is an exciting journey through the different styles of theatre that twentieth-cent...
This article argues that different acting techniques depend on different theories of the 'subject', ...
The article is a theoretical analysis of two film acting techniques grown from the concept of a Russ...
Video recordings from Oslo International Acting Festival 2012, at Oslo National Academy of the Arts,...
Video recordings from Oslo International Acting Festival 2015, at Oslo National Academy of the Arts,...
Michael Chekhov was an actor, diuector, and teacher who was determined to develop a clear and access...
Why a Theatre Laboratory? It includes the programme of a three days’ international symposium from O...
Video recordings from Oslo International Acting Festival 2013, at Oslo National Academy of the Arts,...
International conference – The Future of Performing Arts: Theatre Expanded, Performing Arts Centre V...
This session focuses on the technique of acting developed by Sanford Meisner (1905-1997), and how it...
Stanislavsky’s system of actor-training has revolutionised modern theatre practice, and he is widely...
The purpose of the article is to identify the special features of acting training of one of the lead...
Lee Strasberg (1901–1982) is a divisive figure whose method of acting is often misunderstood. Few pe...
The purpose of the work was to investigate and compare how two different theater-techniques can func...
Presentation given by Tom Scholte at ICASP 2010 Colloquium "Sound Lines: Improvisation, Text, and Me...
This Introduction is an exciting journey through the different styles of theatre that twentieth-cent...
This article argues that different acting techniques depend on different theories of the 'subject', ...
The article is a theoretical analysis of two film acting techniques grown from the concept of a Russ...
Video recordings from Oslo International Acting Festival 2012, at Oslo National Academy of the Arts,...
Video recordings from Oslo International Acting Festival 2015, at Oslo National Academy of the Arts,...
Michael Chekhov was an actor, diuector, and teacher who was determined to develop a clear and access...
Why a Theatre Laboratory? It includes the programme of a three days’ international symposium from O...
Video recordings from Oslo International Acting Festival 2013, at Oslo National Academy of the Arts,...
International conference – The Future of Performing Arts: Theatre Expanded, Performing Arts Centre V...
This session focuses on the technique of acting developed by Sanford Meisner (1905-1997), and how it...
Stanislavsky’s system of actor-training has revolutionised modern theatre practice, and he is widely...
The purpose of the article is to identify the special features of acting training of one of the lead...
Lee Strasberg (1901–1982) is a divisive figure whose method of acting is often misunderstood. Few pe...
The purpose of the work was to investigate and compare how two different theater-techniques can func...
Presentation given by Tom Scholte at ICASP 2010 Colloquium "Sound Lines: Improvisation, Text, and Me...
This Introduction is an exciting journey through the different styles of theatre that twentieth-cent...
This article argues that different acting techniques depend on different theories of the 'subject', ...
The article is a theoretical analysis of two film acting techniques grown from the concept of a Russ...