National art museums are integral to a nation’s cultural landscape, acting as both a witness to the past, and a source of inspiration going forward. Yet the boundaries of Indigenous cultural regions don’t necessarily coincide with officially recognised national borders. Northern Norway is both a part of Norway, as well as a part of Sápmi, yet Sámi representation in national Norwegian cultural institutions has been demonstrably poor. In 2017, however, the Nordnorsk Kunstmuseum (Northern Norwegian Art Museum; NNKM) addressed this issue, reinventing itself as the Sámi Dáiddamuseax to point at what was lacking, but also as a first step in its own process towards decolonisation, deinstitutionalisation, and indigenisation. Using the Dáiddamuseax ...
It has become commonplace to assert that museums embody, perform and nego-tiate national identities....
With regard to decolonization, ethnographic museums are special targets for criticism. For a long ti...
Hvordan er samisk kunst fremstilt i norsk kunsthistorie? Så enkelt og så komplekst er spørsmålet som...
I 2017 dukket Sámi Dáiddamusea opp i lokalene til Nordnorsk Kunstmuseum i Tromsø - som et fiktivt sa...
The legacy of the harsh assimilation policy in Norway – fornorskingen – has resulted in a loss of la...
There is a vast amount of attention in Norway going into cultural institutions that is supposed defi...
Recent years have brought a greater focus on the need for museums to reflect the multi-cultural soci...
The article addresses how Sámi culture is presented by museums in Oslo. One of the findings is that ...
"Decolonising Museums is the second thematic publication of L'Internationale Online; it addresses co...
In this paper I am interested in decolonization processes of museum exhibition practices and how res...
This thesis examines how two Norwegian museums respond to divisive discourses and social issues in t...
The Roots 2 Share project, a collaboration between two Dutch and two Greenlandic museums, was establ...
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, February 2011.Catal...
This issue compiles the outcome of the symposium at the Kunstmuseum Basel and a summer academy at th...
Since the foundation in 1894 of Norsk Folkemuseum as a museum devoted to the culture of âthe Norwegi...
It has become commonplace to assert that museums embody, perform and nego-tiate national identities....
With regard to decolonization, ethnographic museums are special targets for criticism. For a long ti...
Hvordan er samisk kunst fremstilt i norsk kunsthistorie? Så enkelt og så komplekst er spørsmålet som...
I 2017 dukket Sámi Dáiddamusea opp i lokalene til Nordnorsk Kunstmuseum i Tromsø - som et fiktivt sa...
The legacy of the harsh assimilation policy in Norway – fornorskingen – has resulted in a loss of la...
There is a vast amount of attention in Norway going into cultural institutions that is supposed defi...
Recent years have brought a greater focus on the need for museums to reflect the multi-cultural soci...
The article addresses how Sámi culture is presented by museums in Oslo. One of the findings is that ...
"Decolonising Museums is the second thematic publication of L'Internationale Online; it addresses co...
In this paper I am interested in decolonization processes of museum exhibition practices and how res...
This thesis examines how two Norwegian museums respond to divisive discourses and social issues in t...
The Roots 2 Share project, a collaboration between two Dutch and two Greenlandic museums, was establ...
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, February 2011.Catal...
This issue compiles the outcome of the symposium at the Kunstmuseum Basel and a summer academy at th...
Since the foundation in 1894 of Norsk Folkemuseum as a museum devoted to the culture of âthe Norwegi...
It has become commonplace to assert that museums embody, perform and nego-tiate national identities....
With regard to decolonization, ethnographic museums are special targets for criticism. For a long ti...
Hvordan er samisk kunst fremstilt i norsk kunsthistorie? Så enkelt og så komplekst er spørsmålet som...