This article analyses how digitisation and screen policy reform altered the production of domestic drama and children’s programmes in Australia. Focusing on dynamics that developed before widespread use of streaming services, it maps the disruptions and evolution that digital ‘multi-channels’ caused and how they challenged audiovisual policy frameworks intended to safeguard local television including drama on advertiser-funded broadcasters. The article reveals how the effects of fragmentation undermined commercial television’s business model and eroded investment in scripted content. Shifting policy priorities also brought new support mechanisms for local programmes and led to adjustments to the ABC’s drama funding practices, with significa...
Television’s present is a dangerous intersection of pasts and futures. While the global media econom...
In Australia, policies that mandate levels of production and distribution of local television conten...
The Australian Broadcasting Corporation, like other media organisations, is the site of continuing w...
This article discusses the introduction of digital television to Australia, and the competing intere...
Over the past decade, a major policy and regulatory problem for governments in Australia and elsewhe...
The thoroughgoing digital disruption of the entertainment-based screen industries has now been well ...
Australia is facing major decisions about the technical, structural and social shape of its televisi...
The thoroughgoing digital disruption of the entertainment-based screen industries has now been well ...
The thoroughgoing digital disruption of the entertainment-based screen industries has now been well ...
The Australian screen industry faces significant and systemic challenges looking forward. Globalisat...
This paper analyses the campaign to establish terrestrial digital children’s public serv...
The thoroughgoing digital disruption of the entertainment-based screen industries has now been well ...
Netflix’s arrival in Australia in 2015, almost a decade after its start as a streaming media platfor...
© 2010 Marija JakovljevicThis thesis represents a snap shot of a particular historical ‘moment’ in t...
Since its inception, the relationship between television and the child audience has been the subject...
Television’s present is a dangerous intersection of pasts and futures. While the global media econom...
In Australia, policies that mandate levels of production and distribution of local television conten...
The Australian Broadcasting Corporation, like other media organisations, is the site of continuing w...
This article discusses the introduction of digital television to Australia, and the competing intere...
Over the past decade, a major policy and regulatory problem for governments in Australia and elsewhe...
The thoroughgoing digital disruption of the entertainment-based screen industries has now been well ...
Australia is facing major decisions about the technical, structural and social shape of its televisi...
The thoroughgoing digital disruption of the entertainment-based screen industries has now been well ...
The thoroughgoing digital disruption of the entertainment-based screen industries has now been well ...
The Australian screen industry faces significant and systemic challenges looking forward. Globalisat...
This paper analyses the campaign to establish terrestrial digital children’s public serv...
The thoroughgoing digital disruption of the entertainment-based screen industries has now been well ...
Netflix’s arrival in Australia in 2015, almost a decade after its start as a streaming media platfor...
© 2010 Marija JakovljevicThis thesis represents a snap shot of a particular historical ‘moment’ in t...
Since its inception, the relationship between television and the child audience has been the subject...
Television’s present is a dangerous intersection of pasts and futures. While the global media econom...
In Australia, policies that mandate levels of production and distribution of local television conten...
The Australian Broadcasting Corporation, like other media organisations, is the site of continuing w...