Drawing on the idea of platform observability, this paper combines computational and qualitative methods to investigate the types of content YouTube’s ‘up next’ feature amplifies over time, using three search terms associated with sociocultural issues for which concerns have been raised about YouTube’s role: ‘coronavirus’, ‘feminism’ and ‘beauty’. We provide empirical evidence for evaluating the claims made by critics and the counterclaims made by YouTube itself about the function of the platform’s ‘up next’ feature in amplifying problematic, authoritative, or diverse content
This paper contributes to the ongoing discussions on the scholarly accessto social media data, discu...
Over the past 15 years, YouTube has emerged as a large and dominant social media service, giving ris...
The application YouTube released in 2005 is today known as the most prominent platform on the world ...
YouTube’s “up next” feature algorithmically selects, suggests, and displays videos to watch after th...
YouTube's "up next" feature algorithmically selects, suggests, and displays videos to watch after th...
YouTube’s ‘up next’ feature algorithmically suggests videos to watch after a video that is c...
YouTube’s “up next” feature algorithmically selects, suggests, and displays videos to watch after th...
Algorithms, as constitutive elements of online platforms, are increasingly shaping everyday sociabil...
Algorithms, as constitutive elements of online platforms, are increasingly shaping everyday sociabil...
Building on Rieder’s (2015) approach to describe the structure and dynamics of outputs of the YouTub...
YouTube has revolutionized the way people discover and consume video content. Although YouTube faci...
International audienceThis article presents an exploratory study of the network of associations amon...
This article presents an exploratory study of the network of associations among 22,141 YouTube music...
Radicalisation via algorithmic recommendations on social media is an ongoing concern. Our prior stud...
This article presents an exploratory study of the network of associations among 22,141 YouTube music...
This paper contributes to the ongoing discussions on the scholarly accessto social media data, discu...
Over the past 15 years, YouTube has emerged as a large and dominant social media service, giving ris...
The application YouTube released in 2005 is today known as the most prominent platform on the world ...
YouTube’s “up next” feature algorithmically selects, suggests, and displays videos to watch after th...
YouTube's "up next" feature algorithmically selects, suggests, and displays videos to watch after th...
YouTube’s ‘up next’ feature algorithmically suggests videos to watch after a video that is c...
YouTube’s “up next” feature algorithmically selects, suggests, and displays videos to watch after th...
Algorithms, as constitutive elements of online platforms, are increasingly shaping everyday sociabil...
Algorithms, as constitutive elements of online platforms, are increasingly shaping everyday sociabil...
Building on Rieder’s (2015) approach to describe the structure and dynamics of outputs of the YouTub...
YouTube has revolutionized the way people discover and consume video content. Although YouTube faci...
International audienceThis article presents an exploratory study of the network of associations amon...
This article presents an exploratory study of the network of associations among 22,141 YouTube music...
Radicalisation via algorithmic recommendations on social media is an ongoing concern. Our prior stud...
This article presents an exploratory study of the network of associations among 22,141 YouTube music...
This paper contributes to the ongoing discussions on the scholarly accessto social media data, discu...
Over the past 15 years, YouTube has emerged as a large and dominant social media service, giving ris...
The application YouTube released in 2005 is today known as the most prominent platform on the world ...