The following conversation aims to trace the role of gesture and gestural thinking in Rebecca Schneider’s work, and to tease out the specific gestural ethics which arises in her writings. In particular, Schneider thinks about the politics of citation and reiteration for an ethics of call and response that emerges in the gesture of the hail. Both predicated upon a fundamentally ethical relationality and susceptible to ideological investment, the hail epitomises the operations of the “both/and”—a logic of conjunction that structures and punctuates the history of thinking on gesture from the classic Brechtian tactic in which performance both replays and counters conditions of subjugation to Alexander Weheliye’s reclamation of this tactic for b...
I set out to re-think material engagement and manual labour, making the disappearing activities visi...
The starting point for Vlatka Horvat’s performance Third Hand is a collection of scenes, images, and...
The paper uses tropes culled from several of Hannah Arendt's works, as well as Rebecca Schneider's p...
The following conversation aims to trace the role of gesture and gestural thinking in Rebecca Schnei...
The introduction to this special section of Performance Philosophy takes Giorgio Agamben’s remarks a...
This part-performance, part-presentation was given as a contribution to the closed colloquium 'Exten...
Abstract Gesture in focus—Gestural body movements play an increasingly vital role in disciplines ac...
When we ask about how to conserve performance-based art, what are we asking? If we think of performa...
This article stages a dialogue between Giorgio Agamben’s theory of gesture and the 2016 reconstructi...
Editorial Article to the special issue "Mise en geste. Studies of Gesture in Cinema" (ed. by Ana Hed...
This PhD explores how the female body can parody histories of objectification, and conventions of ap...
This PhD project engages the fields of contemporary art, performance studies and performance philoso...
The chapters in this book present several different perspectives on the phenomenon of gesture in its...
John Dewey’s Art as Experience (1934) explores how art develops out of everyday experience. Imbued w...
This editorial introduces this special issue on the thresholds, borders, and dialogues between Hanna...
I set out to re-think material engagement and manual labour, making the disappearing activities visi...
The starting point for Vlatka Horvat’s performance Third Hand is a collection of scenes, images, and...
The paper uses tropes culled from several of Hannah Arendt's works, as well as Rebecca Schneider's p...
The following conversation aims to trace the role of gesture and gestural thinking in Rebecca Schnei...
The introduction to this special section of Performance Philosophy takes Giorgio Agamben’s remarks a...
This part-performance, part-presentation was given as a contribution to the closed colloquium 'Exten...
Abstract Gesture in focus—Gestural body movements play an increasingly vital role in disciplines ac...
When we ask about how to conserve performance-based art, what are we asking? If we think of performa...
This article stages a dialogue between Giorgio Agamben’s theory of gesture and the 2016 reconstructi...
Editorial Article to the special issue "Mise en geste. Studies of Gesture in Cinema" (ed. by Ana Hed...
This PhD explores how the female body can parody histories of objectification, and conventions of ap...
This PhD project engages the fields of contemporary art, performance studies and performance philoso...
The chapters in this book present several different perspectives on the phenomenon of gesture in its...
John Dewey’s Art as Experience (1934) explores how art develops out of everyday experience. Imbued w...
This editorial introduces this special issue on the thresholds, borders, and dialogues between Hanna...
I set out to re-think material engagement and manual labour, making the disappearing activities visi...
The starting point for Vlatka Horvat’s performance Third Hand is a collection of scenes, images, and...
The paper uses tropes culled from several of Hannah Arendt's works, as well as Rebecca Schneider's p...