Considering the ways in which plants move and shape the places of their growth, this article suggests that performing arts should account for the vegetal (and not only animal) model of movement. The implications of including plants in the category of “moving beings” are vast, as they touch upon the dynamic relation between immanence and transcendence, questions of time-scales appropriate to different kinds of beings and their responses to the environment, and phenomenologies of place corresponding to diverse forms of life. I argue that although, for humans, performing vegetal movement is “performing the unperformable,” art grants us a unique access point to experiencing what is entailed in such movement and in the places wherein it unfolds
Despite their rootedness, plants do move and are moved between different places in the garden, and f...
This is an article in Thomas J.J. McCloughlin (Ed.) The Nature of Science in Biology: A Resource for...
At first glance, plants seem relatively immobile, stuck to the ground in rigid structures and, unlik...
Considering the ways in which plants move and shape the places of their growth, this article suggest...
Is it possible to respond to the challenge of a philosopher with artistic means, rather than on the ...
Plants perform their own interests and purposes. Plants perform in ways that afford and invite speci...
Is it possible to respond to the challenge of a philosopher with artistic means, rather than on the ...
Plants are valuable agents in the landscape. Their ability to move, change, grow and adapt makes the...
Today’s popularity of plants within arts practice is certainly influenced by an awareness of our in...
Covert Plants contributes to newly emerging discourses on the implications of vegetal life for the a...
This article offers a philosophical-empirical account of embodied skilful performance in the practic...
This article offers a philosophical-empirical account of embodied skilful performance in the practic...
Chlorophilia, a human’s love or attraction to trees and plants (van Biesen), promises an alternative...
ending and the world of plants seems dead and lifeless. However spring is on the way, and the ever-p...
The Paradoxical Garden is a collection of sculptural installations that focus on human-plant interac...
Despite their rootedness, plants do move and are moved between different places in the garden, and f...
This is an article in Thomas J.J. McCloughlin (Ed.) The Nature of Science in Biology: A Resource for...
At first glance, plants seem relatively immobile, stuck to the ground in rigid structures and, unlik...
Considering the ways in which plants move and shape the places of their growth, this article suggest...
Is it possible to respond to the challenge of a philosopher with artistic means, rather than on the ...
Plants perform their own interests and purposes. Plants perform in ways that afford and invite speci...
Is it possible to respond to the challenge of a philosopher with artistic means, rather than on the ...
Plants are valuable agents in the landscape. Their ability to move, change, grow and adapt makes the...
Today’s popularity of plants within arts practice is certainly influenced by an awareness of our in...
Covert Plants contributes to newly emerging discourses on the implications of vegetal life for the a...
This article offers a philosophical-empirical account of embodied skilful performance in the practic...
This article offers a philosophical-empirical account of embodied skilful performance in the practic...
Chlorophilia, a human’s love or attraction to trees and plants (van Biesen), promises an alternative...
ending and the world of plants seems dead and lifeless. However spring is on the way, and the ever-p...
The Paradoxical Garden is a collection of sculptural installations that focus on human-plant interac...
Despite their rootedness, plants do move and are moved between different places in the garden, and f...
This is an article in Thomas J.J. McCloughlin (Ed.) The Nature of Science in Biology: A Resource for...
At first glance, plants seem relatively immobile, stuck to the ground in rigid structures and, unlik...