For almost six decades of its inception, the history of modern Igbo textile art presents no generalized stylistic tendencies. Though style, as a manner of expression or characteristics, could be identified and are consistent and recurring, they are highly individualized, and are not identifiable with any historic period in the decades of modernism in Igbo textile art. However, these individualized characteristics will be assumed, and treated here, as the characterisations of the modern Igbo textile art. The aim of this paper, therefore, is to identify the characteristics of the works of the modern Igbo textile artists, and categorize and study them as the characterizations of the modern Igbo textile art. This study has deduced these charact...
This paper takes up the issue of the essence of symbols on Igbo modern thrones. Our attention theref...
The paper examines the growth and development of styles in Nigeria paintings. It describes the devel...
From a modernist perspective, it may be difficult to ascribe graphics to any form of traditional Afr...
Visual culture is the expression of the norms and social behavior of a society in visual images. A r...
Among the Igbo, the artist is recognized for the skill which he possesses, the skill which the Igbo ...
The study of the concepts and motifs in Igbo masquerade design requires an adequate knowledge of the...
It is taken for granted that Igbo cultural motifs are pivotal to the formation of Nollywood costumes...
This study is an attempt at identifying the stylistic variables as evident in the treatment of forms...
The development of artistic styles in the Nigerian art scene has developed almost along the same lin...
This paper analyses the names given to vlisco hollandaise fabric designs imported from Helmond, Neth...
It is instructive that scholars such as William Fagg (1963), Kenneth Murray (1943) and Ulli Beier (1...
This thesis explores the appropriation of printed and tie-dyed textiles in visual art and culture pr...
The paper made a critical appraisal of the diverse visual art practices in Nigeria. The writer obser...
Contemporary Nigerian artists like their counterparts in different parts of Africa have drawn some o...
West African textiles form an important aspect of African art. Their uniqueness in the sense of symb...
This paper takes up the issue of the essence of symbols on Igbo modern thrones. Our attention theref...
The paper examines the growth and development of styles in Nigeria paintings. It describes the devel...
From a modernist perspective, it may be difficult to ascribe graphics to any form of traditional Afr...
Visual culture is the expression of the norms and social behavior of a society in visual images. A r...
Among the Igbo, the artist is recognized for the skill which he possesses, the skill which the Igbo ...
The study of the concepts and motifs in Igbo masquerade design requires an adequate knowledge of the...
It is taken for granted that Igbo cultural motifs are pivotal to the formation of Nollywood costumes...
This study is an attempt at identifying the stylistic variables as evident in the treatment of forms...
The development of artistic styles in the Nigerian art scene has developed almost along the same lin...
This paper analyses the names given to vlisco hollandaise fabric designs imported from Helmond, Neth...
It is instructive that scholars such as William Fagg (1963), Kenneth Murray (1943) and Ulli Beier (1...
This thesis explores the appropriation of printed and tie-dyed textiles in visual art and culture pr...
The paper made a critical appraisal of the diverse visual art practices in Nigeria. The writer obser...
Contemporary Nigerian artists like their counterparts in different parts of Africa have drawn some o...
West African textiles form an important aspect of African art. Their uniqueness in the sense of symb...
This paper takes up the issue of the essence of symbols on Igbo modern thrones. Our attention theref...
The paper examines the growth and development of styles in Nigeria paintings. It describes the devel...
From a modernist perspective, it may be difficult to ascribe graphics to any form of traditional Afr...