This paper analyses the balladic novel as initiated by Ada Ugah and highlights its advantages over the traditional novelistic format greatly influenced by the European romance tradition. Texts that provide material for the analysis include Ugah's first two trail-blazers: Ballads of the unknown soldier (a novel in ballads) and colours of the Rainbow (a novel in ballads). The paper contends that the balladic novel has many qualities that give it good prospects of success over the conventional novel. It stresses the fact that it is more indigenous to the African because it has affinity with the traditional oral tale and fits into African story-telling forms. It is lyrical, chantable, easy to dramatize, short and illustrated with pictures ther...
A number of African literature scholars including Emenyonu (2006) Nnolim (2006) and Hale (2006) made...
The Western critic often finds African fiction in English devoid of such universal elements as ‘love...
This article argues that African literature is a didactic literature. It points out that even though...
This book looks at the trends in the development of the Igbo novel from its antecedents in oral perf...
The late South African author Lewis Nkosi described history as a hero in African literature in his c...
This paper investigates some major thematic preoccupations and stylistic trends prevalent in African...
The purpose of this study is an examination of modern Anglophone African literature of the post-Inde...
The examination of Matigari's pre-composition history, the role of the Gikuyu oral literary traditio...
African oral literature remains a veritable source of material for African literary drama through va...
The paper examined Chinua Achebe’s novel Things Fall Apart as an example of world literature and emp...
This thesis consists of two related parts. The first is an essay that examines realism and suprareal...
This paper surveys the significant contributions that African oral literature has made as a tool for...
This essay analyses Ayi Kwei Armah’s novels from the perspective of contemporary myth-making process...
Folklore is found to be a favourite indigenous resource for an African novelist that s/he draws on f...
Didacticism and the Third Generation of African WritersThis article argues that African literature i...
A number of African literature scholars including Emenyonu (2006) Nnolim (2006) and Hale (2006) made...
The Western critic often finds African fiction in English devoid of such universal elements as ‘love...
This article argues that African literature is a didactic literature. It points out that even though...
This book looks at the trends in the development of the Igbo novel from its antecedents in oral perf...
The late South African author Lewis Nkosi described history as a hero in African literature in his c...
This paper investigates some major thematic preoccupations and stylistic trends prevalent in African...
The purpose of this study is an examination of modern Anglophone African literature of the post-Inde...
The examination of Matigari's pre-composition history, the role of the Gikuyu oral literary traditio...
African oral literature remains a veritable source of material for African literary drama through va...
The paper examined Chinua Achebe’s novel Things Fall Apart as an example of world literature and emp...
This thesis consists of two related parts. The first is an essay that examines realism and suprareal...
This paper surveys the significant contributions that African oral literature has made as a tool for...
This essay analyses Ayi Kwei Armah’s novels from the perspective of contemporary myth-making process...
Folklore is found to be a favourite indigenous resource for an African novelist that s/he draws on f...
Didacticism and the Third Generation of African WritersThis article argues that African literature i...
A number of African literature scholars including Emenyonu (2006) Nnolim (2006) and Hale (2006) made...
The Western critic often finds African fiction in English devoid of such universal elements as ‘love...
This article argues that African literature is a didactic literature. It points out that even though...