Add to ORKGThere is a broad consensus in the art world that performance can be defined as an action that takes place within a certain time and space. There is also a theoretical debate in regard to documenting performance art. The position of the established paradigm on performance art documentation has been rebutted in practice on two fronts: that the very history of performance art is not consistent with constant disappearance; and regarding how performance art is treated in contemporary art museums. Performance art was eventually museified in the 1990s, completely adapting to the rules of the museum. The paper proposes a redefinition of performance that takes its materialization seriously: its ephemeral nature, the action and the co-presence of the...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
In recent years, a large number of art institutions strive to translate temporary artistic sensibili...
The conservation of performance art sounds like an oxymoron. How can we conserve works whose base of...
There is a broad consensus in the art world that performance can be defined as an action that takes ...
First coined in the United States, 'performance art' became during the 1970s a transnational term cl...
First coined in the United States, 'performance art' became during the 1970s a transnational term cl...
First coined in the United States, 'performance art' became during the 1970s a transnational term cl...
First coined in the United States, 'performance art' became during the 1970s a transnational term cl...
The category of presence plays a major role in the most accepted definitions of performance art. Thi...
The category of presence plays a major role in the most accepted definitions of performance art. Thi...
This is the author accepted manuscript. The final version is available from Taylor & Francis via the...
Concerned with the ephemeral and how it is perceived when lost to the fractures of time, Peggy Phela...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
The category of presence plays a major role in the most accepted definitions of performance art. Thi...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
In recent years, a large number of art institutions strive to translate temporary artistic sensibili...
The conservation of performance art sounds like an oxymoron. How can we conserve works whose base of...
There is a broad consensus in the art world that performance can be defined as an action that takes ...
First coined in the United States, 'performance art' became during the 1970s a transnational term cl...
First coined in the United States, 'performance art' became during the 1970s a transnational term cl...
First coined in the United States, 'performance art' became during the 1970s a transnational term cl...
First coined in the United States, 'performance art' became during the 1970s a transnational term cl...
The category of presence plays a major role in the most accepted definitions of performance art. Thi...
The category of presence plays a major role in the most accepted definitions of performance art. Thi...
This is the author accepted manuscript. The final version is available from Taylor & Francis via the...
Concerned with the ephemeral and how it is perceived when lost to the fractures of time, Peggy Phela...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
The category of presence plays a major role in the most accepted definitions of performance art. Thi...
In this chapter, Tancredi Gusman introduces the volume Reconstructing Performance Art and its lines ...
In recent years, a large number of art institutions strive to translate temporary artistic sensibili...
The conservation of performance art sounds like an oxymoron. How can we conserve works whose base of...