The work of Giorgio Agamben could perhaps best be described as an original extension of the onto-theological critique that has dominated much of the last century's philosophical endeavors. For him, this fundamental critical perspective extends itself toward the deconstruction of traditional significations, including the boundaries said to exist between the human and the animal as well as between the human and the divine. By repeatedly unveiling these arbitrary divisions as being a result of the state of ‘original sin' in which we dwell, Agamben aims to advance philosophical discourse ‘beyond representation' and toward a ‘pure' encounter with the myriad of faces always ever present before us. In this sense, he works toward redefining ‘rev...