Luc Dardenne is not only a successful filmmaker together with his brother Jean-Pierre. He is also a stimulating philosopher who has reflected on the influence of Emmanuel Levinas on the brothers’ cinematic work. This article shows typical constellations of film and philosophy and focuses on the special contribution of a Levinasian perspective on face-to-face encounters, violence and compassion as central topics in the films of the Dardennes. Luc Dardenne has developed his philosophical approach in his diaries and in the essay The Human Affair published in 2012. This text can be used as a key for the understanding of the film The Kid with a Bike from 2011
The twenty-first century will see a test of the limits of the communicative power of cinema to reach...
The Dardenne Brothers’ cinematography takes place in a very changing society. The economic crisis, t...
The movies of the Dardenne brothers are living documents filled with marginalized characters that of...
Luc Dardenne is not only a successful filmmaker together with his brother Jean-Pierre. He is also a ...
This thesis integrates theology, philosophy, and film studies in a theological analysis of the filmo...
The analysis of cinematic style in the films of the Dardenne brothers has primarily focused on the c...
Celem niniejszej pracy jest ukazanie związków między estetycznym a etycznym wymiarem twórczości film...
Belgijscy reżyserzy Jean-Pierre i Luc Dardenne nazywani są „mistrzami humanizmu”, gdyż to właśnie cz...
The cinema of the Dardenne brothers represents a new kind of cinema, one that challenges a number of...
Close-ups of human faces and hands, shots that are anchored around human individuals, with landscape...
This paper locates and examines the sublime moments that emerge from two films written and directed ...
The Dardenne brothers’ filmic production aims at restoring the missing link between human beings and...
Fetish, Sacrifice and Tragic Freedom and in the Dardenne Brothers’ La Promesse (Abstract) The purpo...
Puis-je croire ce que je vois ? Cette question surgit dans la religion, la science et l'art. Elle pe...
After the negative experience of the events of the Two World Wars in the first half of the 20th cent...
The twenty-first century will see a test of the limits of the communicative power of cinema to reach...
The Dardenne Brothers’ cinematography takes place in a very changing society. The economic crisis, t...
The movies of the Dardenne brothers are living documents filled with marginalized characters that of...
Luc Dardenne is not only a successful filmmaker together with his brother Jean-Pierre. He is also a ...
This thesis integrates theology, philosophy, and film studies in a theological analysis of the filmo...
The analysis of cinematic style in the films of the Dardenne brothers has primarily focused on the c...
Celem niniejszej pracy jest ukazanie związków między estetycznym a etycznym wymiarem twórczości film...
Belgijscy reżyserzy Jean-Pierre i Luc Dardenne nazywani są „mistrzami humanizmu”, gdyż to właśnie cz...
The cinema of the Dardenne brothers represents a new kind of cinema, one that challenges a number of...
Close-ups of human faces and hands, shots that are anchored around human individuals, with landscape...
This paper locates and examines the sublime moments that emerge from two films written and directed ...
The Dardenne brothers’ filmic production aims at restoring the missing link between human beings and...
Fetish, Sacrifice and Tragic Freedom and in the Dardenne Brothers’ La Promesse (Abstract) The purpo...
Puis-je croire ce que je vois ? Cette question surgit dans la religion, la science et l'art. Elle pe...
After the negative experience of the events of the Two World Wars in the first half of the 20th cent...
The twenty-first century will see a test of the limits of the communicative power of cinema to reach...
The Dardenne Brothers’ cinematography takes place in a very changing society. The economic crisis, t...
The movies of the Dardenne brothers are living documents filled with marginalized characters that of...