This collection brings together major scholars to introduce, analyze and theorize the rich variety of entangled documents produced in the playhouse before, during and after performance. As it provides new material and new ways of thinking about that material, it informs and complicates ideas about play-construction, performance, revision and reception, redefining the relationship between play, text and performance
A chapter in the Routledge Companion to Scenography edited by Arnold Aronson. This is the largest an...
IN A COLLECTION OF twenty-one essays devoted to early British dramatic manuscripts, one would expect...
In 1866 amateur scholar Horace Howard Furness began work on a new American edition of Shakespeare wh...
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge U...
How does our understanding of early modern performance, culture and identity change when we decentre...
Bringing together leading scholars to examine crucial questions regarding the theory and practice of...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...
International audienceI The status of the play In theory the theatre is not concerned by remakes. Pl...
The fourteen essays included in this collection offer a range of contributions from both new and wel...
The twenty-first century has seen a marked change in approaches to understanding Shakespeare's texts...
$35.95 paper. What is the state of play in Shakespeare performance studies? As far back as Harley Gr...
This edited collection examines assumptions about what a lost play is and how it can be talked about...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
Written by a team of leading international scholars, this Companion is designed to illuminate Shakes...
What happens when scholarship on the early modern stage is presented on a recreation of an early mod...
A chapter in the Routledge Companion to Scenography edited by Arnold Aronson. This is the largest an...
IN A COLLECTION OF twenty-one essays devoted to early British dramatic manuscripts, one would expect...
In 1866 amateur scholar Horace Howard Furness began work on a new American edition of Shakespeare wh...
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge U...
How does our understanding of early modern performance, culture and identity change when we decentre...
Bringing together leading scholars to examine crucial questions regarding the theory and practice of...
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a ...
International audienceI The status of the play In theory the theatre is not concerned by remakes. Pl...
The fourteen essays included in this collection offer a range of contributions from both new and wel...
The twenty-first century has seen a marked change in approaches to understanding Shakespeare's texts...
$35.95 paper. What is the state of play in Shakespeare performance studies? As far back as Harley Gr...
This edited collection examines assumptions about what a lost play is and how it can be talked about...
The Imprints of Performance is motivated by a longstanding interest in the fundamental interpretive ...
Written by a team of leading international scholars, this Companion is designed to illuminate Shakes...
What happens when scholarship on the early modern stage is presented on a recreation of an early mod...
A chapter in the Routledge Companion to Scenography edited by Arnold Aronson. This is the largest an...
IN A COLLECTION OF twenty-one essays devoted to early British dramatic manuscripts, one would expect...
In 1866 amateur scholar Horace Howard Furness began work on a new American edition of Shakespeare wh...