Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to incorporate aesthetic dimensions of movement, corporeality, sensuality and emotion. This volume, with its interdisciplinary structure, provides an insight into the multi-faceted trend of research approaches that have either developed directly from, or refer back to, dance practice. Using projects as concrete examples, the contributions in this volume present theoretical and methodological foundations and historical connections advances in knowledge.Tanzpraxis gewinnt in der Forschung ebenso an Bedeutun...
How can articulating dance in practice, problematize the notion of an expanded concept of choreograp...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
To assume that dance as an art form is about creating and displaying sequences of movement in space...
Article is devoited to a number of problems of contemporary choreographic art, associated with dance...
A growing interest in the concept of practice within workplace settings has been seen in the last tw...
This text proposes a reflection on the crossings of the field of Somatics and the emerging methodolo...
Während der Nullerjahre war die Beziehung von Tanz und Wissen Gegenstand einer regen geführten Disku...
The purpose of the artistic research, Moving through Choreography – Curating Choreography as an Arti...
The purpose of the research is to reveal the conceptual apparatus and the main circle of problems of...
Focusing on politics, gender, and identities, a group of international dance scholars provide a broa...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
A symbolic interaction (Blumer, 1969; Mead, 1934; Prus, 1996; Prus & Grills, 2003) approach was take...
Das neueste Jahrbuch der „Gesellschaft für Tanzforschung“ will einen repräsentativen Querschnitt dur...
In this article, we intend to deepen into the systemic elements that sustain artistic and performat...
The purpose of the article is to study the fundamental principles of contemporary dance through a cu...
How can articulating dance in practice, problematize the notion of an expanded concept of choreograp...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
To assume that dance as an art form is about creating and displaying sequences of movement in space...
Article is devoited to a number of problems of contemporary choreographic art, associated with dance...
A growing interest in the concept of practice within workplace settings has been seen in the last tw...
This text proposes a reflection on the crossings of the field of Somatics and the emerging methodolo...
Während der Nullerjahre war die Beziehung von Tanz und Wissen Gegenstand einer regen geführten Disku...
The purpose of the artistic research, Moving through Choreography – Curating Choreography as an Arti...
The purpose of the research is to reveal the conceptual apparatus and the main circle of problems of...
Focusing on politics, gender, and identities, a group of international dance scholars provide a broa...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
A symbolic interaction (Blumer, 1969; Mead, 1934; Prus, 1996; Prus & Grills, 2003) approach was take...
Das neueste Jahrbuch der „Gesellschaft für Tanzforschung“ will einen repräsentativen Querschnitt dur...
In this article, we intend to deepen into the systemic elements that sustain artistic and performat...
The purpose of the article is to study the fundamental principles of contemporary dance through a cu...
How can articulating dance in practice, problematize the notion of an expanded concept of choreograp...
A symbolic interaction (BLUMER, 1969; MEAD, 1934; PRUS, 1996; PRUS & GRILLS, 2003) approach was take...
To assume that dance as an art form is about creating and displaying sequences of movement in space...