The articles collected in this volume from the two companion Arts Special Issues, “The Machine as Art (in the 20th Century)” and “The Machine as Artist (in the 21st Century)”, represent a unique scholarly resource: analyses by artists, scientists, and engineers, as well as art historians, covering not only the current (and astounding) rapprochement between art and technology but also the vital post-World War II period that has led up to it; this collection is also distinguished by several of the contributors being prominent individuals within their own fields, or as artists who have actually participated in the still unfolding events with which it is concerne
Through the pictorial narratives engraved on the walls of the caves during prehistory, we are sure t...
L’opposition entre machine et création, entre sciences et arts, n’est qu’illusoire. L’interdépendanc...
The editorial introduces the articles of the issue, all pertaining to the arts and sciences event, A...
With the understanding that art and technology are continuing to experience an historic and rapidly ...
The machine, over the course of the 20th century, progressively integrated itself into all fields of...
Despite the enormous advances that artificial intelligence (AI) and robotics have made, it is still ...
Open Access articleAs machines take over more tasks previously done by humans, artistic creation is ...
This publication is about Machine Research – research on machines, research with machines, and resea...
Can computers be creative? Is algorithmic art just a form of Candy Crush? Cutting through the smoke ...
The subject of machine learning and creativity, as well as its appropriation in arts is the focus of...
To speak comfortably of the machine artist (as outlined in the call for papers for this Special Issu...
In today’s society of humans and machines, automation, animation, and ecosystems are terms of concer...
Curators: William Latham, Atau Tanaka and Frederic Fol Leymarie A major exhibition exploring the ...
This paper will examine the importance of Marcel Duchamp’s La Machine Célibataire (The Bachelor) on ...
A Machine Aesthetic is a curated national touring exhibition which took place at Gallery North, Newc...
Through the pictorial narratives engraved on the walls of the caves during prehistory, we are sure t...
L’opposition entre machine et création, entre sciences et arts, n’est qu’illusoire. L’interdépendanc...
The editorial introduces the articles of the issue, all pertaining to the arts and sciences event, A...
With the understanding that art and technology are continuing to experience an historic and rapidly ...
The machine, over the course of the 20th century, progressively integrated itself into all fields of...
Despite the enormous advances that artificial intelligence (AI) and robotics have made, it is still ...
Open Access articleAs machines take over more tasks previously done by humans, artistic creation is ...
This publication is about Machine Research – research on machines, research with machines, and resea...
Can computers be creative? Is algorithmic art just a form of Candy Crush? Cutting through the smoke ...
The subject of machine learning and creativity, as well as its appropriation in arts is the focus of...
To speak comfortably of the machine artist (as outlined in the call for papers for this Special Issu...
In today’s society of humans and machines, automation, animation, and ecosystems are terms of concer...
Curators: William Latham, Atau Tanaka and Frederic Fol Leymarie A major exhibition exploring the ...
This paper will examine the importance of Marcel Duchamp’s La Machine Célibataire (The Bachelor) on ...
A Machine Aesthetic is a curated national touring exhibition which took place at Gallery North, Newc...
Through the pictorial narratives engraved on the walls of the caves during prehistory, we are sure t...
L’opposition entre machine et création, entre sciences et arts, n’est qu’illusoire. L’interdépendanc...
The editorial introduces the articles of the issue, all pertaining to the arts and sciences event, A...