Published on the occasion of the 2019 exhibition “Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan,” The Saburo Hasegawa Reader encompasses a selection of writings by the Japanese artist, theorist, essayist, teacher, and curator Saburo Hasegawa (1908–1957), translated into English for the first time. Credited with introducing abstract art to Japan in the 1930s, Hasegawa also became influential as a lecturer on Japan and its aesthetic and philosophical traditions in New York and San Francisco before his premature death in 1957. A memorial volume, initiated by the Oakland Art Museum but left unpublished since the 1950s, as well as interviews from students at California College of Arts and Crafts, helps to establish Hasega...
This paper tells the story of Japanese-American sculptor Isamu Noguchi and highlights his lesser-kn...
A memorial sculpture for Japanese painter, and visiting professor at CCAC 1955/56, Saburo Hasegawa l...
Aesthetician Tsutomu Ijima (1908–1978) had a major influence on the Japanese avantgarde calligraphy ...
Published on the occasion of the 2019 exhibition “Changing and Unchanging Things: Noguchi and Hasega...
This publication has been developed from ideas first presented at the international symposium Late H...
Mori Ôgai, both a military physician and one of Japan\u27s major modern authors, was also deeply inv...
Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of po...
This dissertation focuses on the remarkable approaches toward materials in art objects taken by the ...
This collection presents twenty-seven new essays in Japanese aesthetics by leading experts in the fi...
This seminar will consider the revolutionary transformation of Japanese artistic and\ud exhibitionar...
Drawing on the main arguments of my recent book published in Japanese, Sekai no dokusha ni tsutaeru ...
Japanese Painting and National Identity is the first monograph in English to address the art and phi...
"Heinrich Wölfflin’s book Principles of Art History was published in Germany in 1915. It ap...
Japonisme, the area of study of "taste for things Japanese", has been a growing field within art his...
2018-03-06This dissertation traces the origins of contemporary Japanese comics back to the introduct...
This paper tells the story of Japanese-American sculptor Isamu Noguchi and highlights his lesser-kn...
A memorial sculpture for Japanese painter, and visiting professor at CCAC 1955/56, Saburo Hasegawa l...
Aesthetician Tsutomu Ijima (1908–1978) had a major influence on the Japanese avantgarde calligraphy ...
Published on the occasion of the 2019 exhibition “Changing and Unchanging Things: Noguchi and Hasega...
This publication has been developed from ideas first presented at the international symposium Late H...
Mori Ôgai, both a military physician and one of Japan\u27s major modern authors, was also deeply inv...
Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of po...
This dissertation focuses on the remarkable approaches toward materials in art objects taken by the ...
This collection presents twenty-seven new essays in Japanese aesthetics by leading experts in the fi...
This seminar will consider the revolutionary transformation of Japanese artistic and\ud exhibitionar...
Drawing on the main arguments of my recent book published in Japanese, Sekai no dokusha ni tsutaeru ...
Japanese Painting and National Identity is the first monograph in English to address the art and phi...
"Heinrich Wölfflin’s book Principles of Art History was published in Germany in 1915. It ap...
Japonisme, the area of study of "taste for things Japanese", has been a growing field within art his...
2018-03-06This dissertation traces the origins of contemporary Japanese comics back to the introduct...
This paper tells the story of Japanese-American sculptor Isamu Noguchi and highlights his lesser-kn...
A memorial sculpture for Japanese painter, and visiting professor at CCAC 1955/56, Saburo Hasegawa l...
Aesthetician Tsutomu Ijima (1908–1978) had a major influence on the Japanese avantgarde calligraphy ...