"As film stars, actresses have throughout film history contributed to the film industry’s glamorous surface, providing audiences with visual attraction and different representations of femininity. To talk about women in film as “invisible” may thus seem odd or even wrong. This book, however, is concerned with the paradox that on the other side of the camera, women are clearly underrepresented. This is true of contemporary film culture, and has been true historically, despite significant variations between countries/geographical areas, historical time periods and different roles/professions in film production, distribution and exhibition. This anthology recovers forgotten aspects of women’s work and memory, tracing women’s film work through ...
This essay investigates the role of women in Swedish film exhibition from the early days of ambulati...
For at least a decade, new research carried out by scholars involved in the Women Film Pioneers Proj...
Spanning geographical, cultural, and methodological boundaries, the essays in Being and Becoming Vis...
This article considers the place of women’s amateur film within regional and national film archive h...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
When it comes to the representation of women artists either in art historical research, in the media...
Since film's inception, over a hundred years ago, women have been underrepresented as cinematog...
This thesis examines the different ways films have explored female presence as a narrative and styli...
While 1970s/1980s feminist film theory questioned the representability of women within a male-domina...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
Reading through one another insights raised by Teresa de Lauretis (1987; 1990), Donna Haraway (1988;...
What are the gaps in current film histories? Who has been forgotten and why? How can we write histor...
Women have been involved in film since its inception. In the past, half of all screenwriters were wo...
This article makes the case that in order to foster new perspectives and advance our understanding o...
The rediscovery of the early cinema in the 1980s brought about a change in film historiography that ...
This essay investigates the role of women in Swedish film exhibition from the early days of ambulati...
For at least a decade, new research carried out by scholars involved in the Women Film Pioneers Proj...
Spanning geographical, cultural, and methodological boundaries, the essays in Being and Becoming Vis...
This article considers the place of women’s amateur film within regional and national film archive h...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
When it comes to the representation of women artists either in art historical research, in the media...
Since film's inception, over a hundred years ago, women have been underrepresented as cinematog...
This thesis examines the different ways films have explored female presence as a narrative and styli...
While 1970s/1980s feminist film theory questioned the representability of women within a male-domina...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
Reading through one another insights raised by Teresa de Lauretis (1987; 1990), Donna Haraway (1988;...
What are the gaps in current film histories? Who has been forgotten and why? How can we write histor...
Women have been involved in film since its inception. In the past, half of all screenwriters were wo...
This article makes the case that in order to foster new perspectives and advance our understanding o...
The rediscovery of the early cinema in the 1980s brought about a change in film historiography that ...
This essay investigates the role of women in Swedish film exhibition from the early days of ambulati...
For at least a decade, new research carried out by scholars involved in the Women Film Pioneers Proj...
Spanning geographical, cultural, and methodological boundaries, the essays in Being and Becoming Vis...