"The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, and collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity – as the production of ideas, bodies and knowledges in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and ...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Following developments in contemporary European choreography, which have given rise to the controver...
This article argues for an understanding of performance as being motivated by a principle of autotel...
The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical es...
What is Performance Philosophy? This paper will reflect on the idea that we are currently witnessing...
Encounters in Performance Philosophy is a collection of 14 essays by international scholars and prac...
This article aims to offer one introduction amongst others to performance philosophy: an emerging in...
In my short manifesto I consider the interrelation of the emergence of performance philosophy and th...
Martin Puchner’s The Drama of Ideas (2010), Freddie Rokem’s Philosophers and Thespians (2010), and S...
This article introduces performance philosophy, despite the risk of performative contradiction such ...
This article begins from the premise that a ‘critical turning point’ has been reached in terms of th...
This article provides an introduction to a new field of research connected to, but also independent,...
Play, Philosophy and Performance is a cutting-edge collection of essays exploring the philosophy of ...
The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional ex...
Apparently, philosophy has nothing to do with performing arts, as its environment is purely theoreti...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Following developments in contemporary European choreography, which have given rise to the controver...
This article argues for an understanding of performance as being motivated by a principle of autotel...
The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical es...
What is Performance Philosophy? This paper will reflect on the idea that we are currently witnessing...
Encounters in Performance Philosophy is a collection of 14 essays by international scholars and prac...
This article aims to offer one introduction amongst others to performance philosophy: an emerging in...
In my short manifesto I consider the interrelation of the emergence of performance philosophy and th...
Martin Puchner’s The Drama of Ideas (2010), Freddie Rokem’s Philosophers and Thespians (2010), and S...
This article introduces performance philosophy, despite the risk of performative contradiction such ...
This article begins from the premise that a ‘critical turning point’ has been reached in terms of th...
This article provides an introduction to a new field of research connected to, but also independent,...
Play, Philosophy and Performance is a cutting-edge collection of essays exploring the philosophy of ...
The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional ex...
Apparently, philosophy has nothing to do with performing arts, as its environment is purely theoreti...
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of the...
Following developments in contemporary European choreography, which have given rise to the controver...
This article argues for an understanding of performance as being motivated by a principle of autotel...