“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The m...
Małgorzata Smorąg Różycka - KrakówWe are witnesses to an exceptional interest in the art of East Chr...
Bu çalışmada, XIV. yüzyılda ortaya çıkan ve kilise tarihinde “Palamism” ya da“Hesyatik” olarak bilin...
This thesis examines the evolution and dissemination of the iconography of the post-Resurrection app...
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chri...
The aim of this research is to explore the possible relationship between the religious movement of h...
Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chris...
Byzantine icons have attracted artists and art historians to what they saw as the flat style of larg...
The establishment of the Byzantine Empire by Constantine the Great in AD 330 ushered a new dimension...
Includes bibliographical references (pages 143-147)The iconography of the Crucifixion underwent much...
Includes bibliographical references (pages [76]-80)From its inception, the Christian religion, born ...
This chapter investigates the visual aspects of physical beauty of the saintly images depicted withi...
International audienceThe interest for hesychasm was often limited to the factual and theoretical as...
The influence of hesychasm on representation on Christ’s baptism isn’t so obvious as in the case of ...
In late Byzantium, monastic katholika were painted with increasingly complex programs. The introduct...
This book is about Byzantine art and the European Renaissance. It discusses cultural and artistic in...
Małgorzata Smorąg Różycka - KrakówWe are witnesses to an exceptional interest in the art of East Chr...
Bu çalışmada, XIV. yüzyılda ortaya çıkan ve kilise tarihinde “Palamism” ya da“Hesyatik” olarak bilin...
This thesis examines the evolution and dissemination of the iconography of the post-Resurrection app...
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chri...
The aim of this research is to explore the possible relationship between the religious movement of h...
Although many of the iconographic traditions in Byzantine art formed in the early centuries of Chris...
Byzantine icons have attracted artists and art historians to what they saw as the flat style of larg...
The establishment of the Byzantine Empire by Constantine the Great in AD 330 ushered a new dimension...
Includes bibliographical references (pages 143-147)The iconography of the Crucifixion underwent much...
Includes bibliographical references (pages [76]-80)From its inception, the Christian religion, born ...
This chapter investigates the visual aspects of physical beauty of the saintly images depicted withi...
International audienceThe interest for hesychasm was often limited to the factual and theoretical as...
The influence of hesychasm on representation on Christ’s baptism isn’t so obvious as in the case of ...
In late Byzantium, monastic katholika were painted with increasingly complex programs. The introduct...
This book is about Byzantine art and the European Renaissance. It discusses cultural and artistic in...
Małgorzata Smorąg Różycka - KrakówWe are witnesses to an exceptional interest in the art of East Chr...
Bu çalışmada, XIV. yüzyılda ortaya çıkan ve kilise tarihinde “Palamism” ya da“Hesyatik” olarak bilin...
This thesis examines the evolution and dissemination of the iconography of the post-Resurrection app...