Il paesaggio sonoro in relazione. Suono, movimento e immagini per stimolare complessità percettiva

This article wants to explore the topic of the soundscape in the context of dance and video, especially in the site-specific creation process of dance live performances and video dance, with a brief mention to a particular type of audiovisual installations. The exploration develops starting from the soundscape that two dancing bodies produce merely moving in a dance rehearsal room, it continues with the description of a soundscape composed with sounds detected by a specific environment, and it ends with the analysis of the dance movie Car Men, by Paval Conen. The final reflections start from an example of dramaturgical use of sound in the context of film production and arrive at the description of laser drawing performance as a final example of perceptive complexity