In the summer of 2019, Disneyland opened Star Wars: Galaxy’s Edge, an immersive experience where visitors imagine themselves as members of a resistance army fighting against a colonizing power. As Disney’s theme parks have increasingly become conduits of global flows, the company’s original brand of U.S. exceptionalism has become incompatible with the company’s strategic needs. In this article, we argue that Disney’s newest themed land, Galaxy’s Edge, functions as a reworking of Disney’s colonial discourse and borderland narrative, where postracial borderland fantasies coincide with the conglomerate’s evolution from a national project to a global enterprise. Within this intergalactic borderland, racialized bodies play an important role in c...
This dissertation deconstructs Disney’s corporate commodification of multiculturalism and diversity ...
The growth of the Walt Disney Company in all its numerous forms - what might be called the multiple...
This article analyses the Disneyfication of the world based on the grobalisation model. As a radical...
In the summer of 2019, Disneyland opened Star Wars: Galaxy’s Edge, an immersive experience where vis...
The transmediation involved in recent Walt Disney Company productions including A Wrinkle in Time, B...
In this article, we examine how Disney participates in an affective economy through an analysis of h...
In August 2015, The Walt Disney Company announced its plans for two new 14-acre additions to their a...
Within the last decade, the entertainment industry has witnessed an exponential growth in the produc...
Disney’s screenplay development process for Moana (2016) reflects a larger labor management and mark...
Since its acquisition of Lucasfilm in 2014, Disney has been praised for its active marketing of Star...
Hong Kong Disneyland (HKDL) was seen as the ‘Millennium Dream Comes True! ’ in 1999, but as ‘Hong Ko...
As one of the most powerful purveyors of entertainment in the world, the Disney company has produced...
With the recent release of “Coco,” Disney has garnered wide praise for its hiring of Mexican and Mex...
As the consciousness of coloniality, diversity, and the necessity of not only token depictions of ot...
Professor Greg Carter’s next book brings together two phenomena prominent in the past four decades: ...
This dissertation deconstructs Disney’s corporate commodification of multiculturalism and diversity ...
The growth of the Walt Disney Company in all its numerous forms - what might be called the multiple...
This article analyses the Disneyfication of the world based on the grobalisation model. As a radical...
In the summer of 2019, Disneyland opened Star Wars: Galaxy’s Edge, an immersive experience where vis...
The transmediation involved in recent Walt Disney Company productions including A Wrinkle in Time, B...
In this article, we examine how Disney participates in an affective economy through an analysis of h...
In August 2015, The Walt Disney Company announced its plans for two new 14-acre additions to their a...
Within the last decade, the entertainment industry has witnessed an exponential growth in the produc...
Disney’s screenplay development process for Moana (2016) reflects a larger labor management and mark...
Since its acquisition of Lucasfilm in 2014, Disney has been praised for its active marketing of Star...
Hong Kong Disneyland (HKDL) was seen as the ‘Millennium Dream Comes True! ’ in 1999, but as ‘Hong Ko...
As one of the most powerful purveyors of entertainment in the world, the Disney company has produced...
With the recent release of “Coco,” Disney has garnered wide praise for its hiring of Mexican and Mex...
As the consciousness of coloniality, diversity, and the necessity of not only token depictions of ot...
Professor Greg Carter’s next book brings together two phenomena prominent in the past four decades: ...
This dissertation deconstructs Disney’s corporate commodification of multiculturalism and diversity ...
The growth of the Walt Disney Company in all its numerous forms - what might be called the multiple...
This article analyses the Disneyfication of the world based on the grobalisation model. As a radical...