The standard explanation of the semantics of power and solidarity for second person Middle English pronoun choice, advanced by Roger Brown and Albert Gilman and accepted by many Middle English scholars since, has proven insufficient to explain many choices between thou and ye that fictional characters make. This paper applies the discourse theories of pragmatics and politeness, developed by Penelope Brown and Stephen C. Levinson, to the relatively untouched data set of non-Chaucerian romances in order to account for some of those anomalies. By examining the pronouns of address in Floris and Blancheflour, Havelok the Dane, Ywain and Gawain, Sir Launfal, and Sir Degrevant, this paper finds that the realm of politeness, specifically the des...
After an overview of the general scholarship both on the uses of the second person singular pronouns...
In this paper,pragmatic functions of vocatives in the Early Modern English period will be discussed ...
This study undertakes an examination of fool-master discourse in Shakespeare with the help of discou...
The standard explanation of the semantics of power and solidarity for second person Middle English p...
Middle English second person pronouns thou and you (T/V) are considered to be among the means employ...
My aim in this paper is to examine all the instances of the second personal pronouns in Havelok the ...
The personal pronouns, espeacially the second personal pronouns, used by Chaucer show some differenc...
This computer-aided statistical study has examined the changes which took place in the pronouns of a...
In the succeeding section of my thesis I will make an attempt to describe the relationships between ...
Chaucer’s use of the singular or plural form of the second person pronoun to address a single perso...
The topic of this paper is the use of second person address pronouns in Shakespeare's Early Modern E...
This study creates a prediction model to identify which linguistic and extra-linguistic features inf...
A close reading of three selected passages of the Middle English alliterative romance Sir Gawain an...
In human conversations, verbal exchanges follow rules. Applicable both to Old English poetry and Tol...
This paper originated in a double interest in you and thou, the pronouns of address in Early Modern ...
After an overview of the general scholarship both on the uses of the second person singular pronouns...
In this paper,pragmatic functions of vocatives in the Early Modern English period will be discussed ...
This study undertakes an examination of fool-master discourse in Shakespeare with the help of discou...
The standard explanation of the semantics of power and solidarity for second person Middle English p...
Middle English second person pronouns thou and you (T/V) are considered to be among the means employ...
My aim in this paper is to examine all the instances of the second personal pronouns in Havelok the ...
The personal pronouns, espeacially the second personal pronouns, used by Chaucer show some differenc...
This computer-aided statistical study has examined the changes which took place in the pronouns of a...
In the succeeding section of my thesis I will make an attempt to describe the relationships between ...
Chaucer’s use of the singular or plural form of the second person pronoun to address a single perso...
The topic of this paper is the use of second person address pronouns in Shakespeare's Early Modern E...
This study creates a prediction model to identify which linguistic and extra-linguistic features inf...
A close reading of three selected passages of the Middle English alliterative romance Sir Gawain an...
In human conversations, verbal exchanges follow rules. Applicable both to Old English poetry and Tol...
This paper originated in a double interest in you and thou, the pronouns of address in Early Modern ...
After an overview of the general scholarship both on the uses of the second person singular pronouns...
In this paper,pragmatic functions of vocatives in the Early Modern English period will be discussed ...
This study undertakes an examination of fool-master discourse in Shakespeare with the help of discou...