JaQuel Knight, renowned choreographer behind Beyoncé’s “Single Ladies” and Cardi B’s “WAP,” choreography, recently made moves by launching Knight Choreography and Music Publishing Inc. Knight’s company will oversee rights to dance moves, similar to how music publishers protect the intellectual property of their own clients. In order to know why this is significant, let’s take a look back at the recent history of dance, copyright, and ALA Code of Ethics
Until recently, dance was not considered to warrant copyright protection because it existed only as ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
The UK statutory provisions and case law in copyright law currently provide a relatively broad appro...
In the early 1990s, while actor Alfonso Ribeiro was in the midst of portraying Carlton Banks on the ...
Choreography has long been a subject of controversy in the world of copyright. Despite its significa...
The American dance scene has been growing, both in popularity and profitability, since its inception...
This article will present specific legal cases involving the need for choreographers to copyright th...
TikTok is a video-sharing social media application that launched in 2018 and has grown wildly since ...
Despite gaining copyright protection for their works in 1976, choreographers infrequently register t...
This is the author accepted manuscript. The final version is available from Edinburgh University Pre...
Although approaches rooted in copyright law are available, choreographers tend to rely instead on co...
If all the arts are brothers, dance is the forgotten stepchild of the family. The black sheep of t...
One of the improvements in the 1976 Copyright Act was the specific recognition of choreographic work...
ArticleThis is a pre-copyedited, author-produced version of an article accepted for publication in E...
This project explores the practice of copying as a choreographic methodology raising the issue of il...
Until recently, dance was not considered to warrant copyright protection because it existed only as ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
The UK statutory provisions and case law in copyright law currently provide a relatively broad appro...
In the early 1990s, while actor Alfonso Ribeiro was in the midst of portraying Carlton Banks on the ...
Choreography has long been a subject of controversy in the world of copyright. Despite its significa...
The American dance scene has been growing, both in popularity and profitability, since its inception...
This article will present specific legal cases involving the need for choreographers to copyright th...
TikTok is a video-sharing social media application that launched in 2018 and has grown wildly since ...
Despite gaining copyright protection for their works in 1976, choreographers infrequently register t...
This is the author accepted manuscript. The final version is available from Edinburgh University Pre...
Although approaches rooted in copyright law are available, choreographers tend to rely instead on co...
If all the arts are brothers, dance is the forgotten stepchild of the family. The black sheep of t...
One of the improvements in the 1976 Copyright Act was the specific recognition of choreographic work...
ArticleThis is a pre-copyedited, author-produced version of an article accepted for publication in E...
This project explores the practice of copying as a choreographic methodology raising the issue of il...
Until recently, dance was not considered to warrant copyright protection because it existed only as ...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
The UK statutory provisions and case law in copyright law currently provide a relatively broad appro...