Add to ORKGModernism brought about a logical culmination of painting, an epoch where logic and reason can no longer attempt to account for or speculate its behavior. This paper considers the perpetuation of painting from an ontological standpoint, documenting its inherent aporia, its relationship to meaning, and its function in contemporary society
University of Technology, Sydney. Faculty of Design, Architecture and Building.NO FULL TEXT AVAILABL...
This paper addresses concerns about a society that appears increasingly predicated on issues surroun...
Paint’s fluid, plastic and viscous properties were used to renegotiate aspects of the painterly trad...
Modernism brought about a logical culmination of painting, an epoch where logic and reason can no lo...
Recent works have presented personal observations of the world's inner-functionality, as connections...
It is well known that painting has died many deaths in the course of modernist history. But whilst P...
The aim of this investigation is to consider the extent to which the processes and material stuff of...
This paper considers the new ontological paradigm of contemporary art that evokes another discourse,...
This practice-led research explores the development of artistic practice in the context of phenomeno...
The thesis proposition is that a specific group of artists from the 20th and 21st centuries locate c...
"Painting: Despite" is an exploration into the possibility of continuing to paint despite the consta...
The relevance of painting has been questioned many times over the last century, by the arrival of ph...
Painting is customarily understood as a form of mark making that renders materials and arrangements ...
It is within the liminal space between traditional mediums that my creative practice deconstructs th...
The contrast between the appearance of a work of art which has been professionally restored and one ...
University of Technology, Sydney. Faculty of Design, Architecture and Building.NO FULL TEXT AVAILABL...
This paper addresses concerns about a society that appears increasingly predicated on issues surroun...
Paint’s fluid, plastic and viscous properties were used to renegotiate aspects of the painterly trad...
Modernism brought about a logical culmination of painting, an epoch where logic and reason can no lo...
Recent works have presented personal observations of the world's inner-functionality, as connections...
It is well known that painting has died many deaths in the course of modernist history. But whilst P...
The aim of this investigation is to consider the extent to which the processes and material stuff of...
This paper considers the new ontological paradigm of contemporary art that evokes another discourse,...
This practice-led research explores the development of artistic practice in the context of phenomeno...
The thesis proposition is that a specific group of artists from the 20th and 21st centuries locate c...
"Painting: Despite" is an exploration into the possibility of continuing to paint despite the consta...
The relevance of painting has been questioned many times over the last century, by the arrival of ph...
Painting is customarily understood as a form of mark making that renders materials and arrangements ...
It is within the liminal space between traditional mediums that my creative practice deconstructs th...
The contrast between the appearance of a work of art which has been professionally restored and one ...
University of Technology, Sydney. Faculty of Design, Architecture and Building.NO FULL TEXT AVAILABL...
This paper addresses concerns about a society that appears increasingly predicated on issues surroun...
Paint’s fluid, plastic and viscous properties were used to renegotiate aspects of the painterly trad...