Beauty still lives here: narratives of radical self-love

This exhibition is primarily concerned with the act of taking up physical and socio-political space. Through the use of form, design, color, and installation this work places various histories and traditions of both ceramics and resistance in communication with one another. The red, black, and green of Marcus Garvey’s 1920 Pan-African/Black American flag are proudly displayed against a warm, calm, pale green backdrop to highlight the importance of mental health in all endeavors, especially in the emotionally taxing labor of social, political, and economic protest in the battle for humanity, life, civil rights, equity, access, and decision-making power