This chapter discusses the standing of Plautus in the middle to late Republican period, when his plays were popular with audiences, were studied by scholars, and were points of reference for other dramatists. In particular, this contribution analyzes reactions by Plautus's dramatic successors in his own dramatic genre (fabula palliata) and related ones (fabula togata, fabula Atellana) to Plautine comedy, using the motif of the contrast between town and country as a paradigmatic case study
Titus Maccius Plautus is the one of the most renowned Roman playwrights of his era, creating artful ...
The fact is well known that Plautus translated plays by Menander and other poets of the « New Comedy...
This paper explains the value of custodela in the comedies of Plautus, especially in Mostellaria (v....
This dissertation examines the cultural constructs that are the basic elements of the comedies of Pl...
This dissertation examines Roman comedy (comoedia palliata) and its influence from the stage onto th...
The comedies of Titus Maccius Plautus have attracted critical attention virtually since their produc...
The work is made available for download in PDF, ePub, Docx, and HTML formats. This work may be free...
This chapter examines the stagecraft and performance of Plautus's and Terence's comedies. The first ...
The article is devoted to Plautus’ comedy «The Captives». Plautus, like other Roman come...
The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205–1...
This thesis investigates similarities in characterization and structure between the dramas of Plautu...
The presence of ancient comedies on stage, during a period when vernacular language appeared as the ...
The text of the Bacchides and of other Plautine comedies allows us to reach some conclusions about t...
A obra do comediógrafo romano Tito Mácio Plauto (c. 254 - 184 a.C.) é marcada pela presença dos gêne...
The short Plautine revival in translation that signaled the return of ancient comedy to the stages a...
Titus Maccius Plautus is the one of the most renowned Roman playwrights of his era, creating artful ...
The fact is well known that Plautus translated plays by Menander and other poets of the « New Comedy...
This paper explains the value of custodela in the comedies of Plautus, especially in Mostellaria (v....
This dissertation examines the cultural constructs that are the basic elements of the comedies of Pl...
This dissertation examines Roman comedy (comoedia palliata) and its influence from the stage onto th...
The comedies of Titus Maccius Plautus have attracted critical attention virtually since their produc...
The work is made available for download in PDF, ePub, Docx, and HTML formats. This work may be free...
This chapter examines the stagecraft and performance of Plautus's and Terence's comedies. The first ...
The article is devoted to Plautus’ comedy «The Captives». Plautus, like other Roman come...
The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205–1...
This thesis investigates similarities in characterization and structure between the dramas of Plautu...
The presence of ancient comedies on stage, during a period when vernacular language appeared as the ...
The text of the Bacchides and of other Plautine comedies allows us to reach some conclusions about t...
A obra do comediógrafo romano Tito Mácio Plauto (c. 254 - 184 a.C.) é marcada pela presença dos gêne...
The short Plautine revival in translation that signaled the return of ancient comedy to the stages a...
Titus Maccius Plautus is the one of the most renowned Roman playwrights of his era, creating artful ...
The fact is well known that Plautus translated plays by Menander and other poets of the « New Comedy...
This paper explains the value of custodela in the comedies of Plautus, especially in Mostellaria (v....