Horror as a genre holds a unique place in pop culture as a space in which to explore our fears in ways that allow us to embrace and confront them. It is also a genre that relies heavily on tropes and audience familiarity, building on established conventions. Many of these tropes are gendered, creating a distinct language to horror with established roles for male and female characters. These gender roles are often restrictive and reductive, playing on outdated stereotypes and perpetuating them. Hysteria takes a look at horror through a feminist lens, and seeks to address and then subvert those gendered tropes. Using fiction to comment on film, Hysteria is a love letter to horror, written with a careful consideration to its vast history. That...
Horror has long been understood as a ‘bad object’ in relation to its audiences. More specifically, t...
From bloody scream queens to seductive femmes fatales and cold-blooded murderesses, images of comple...
Advisors: Diane M. Rodgers.Committee members: Kerry Ferris; Simon Weffer.Includes bibliographical re...
This thesis is a contemporaneous analysis of the subgenre of demon-possession film in post-recession...
Horror films, like any cultural product, are a result of their time and place in the world. The trad...
Consumption as Agency: An Exploration of the Feminine Grotesque In the genre of horror, the feminine...
As a genre that serves to unnerve its viewers, horror often operates outside of the formal codes and...
Since the birth of the genre, American horror filmmakers have posed female characters as prey and ob...
"Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-...
Horror cinema is a hugely successful, but at the same time culturally illicit genre that spans the h...
Decades of horror film research and theorizations have shown us that there is a reason why this part...
Women’s bodies have long served as a source for abject horror. Throughout horror books, movies, and ...
“Spectacular Flesh: Erotic Horror as Feminist Praxis in Women’s Literature & Film” asks, “What h...
This paper discusses a feminine aesthetic of cinematic horror informed by ethnographic study of the ...
This thesis will examine the representation of motherhood in horror cinema in order to discuss the p...
Horror has long been understood as a ‘bad object’ in relation to its audiences. More specifically, t...
From bloody scream queens to seductive femmes fatales and cold-blooded murderesses, images of comple...
Advisors: Diane M. Rodgers.Committee members: Kerry Ferris; Simon Weffer.Includes bibliographical re...
This thesis is a contemporaneous analysis of the subgenre of demon-possession film in post-recession...
Horror films, like any cultural product, are a result of their time and place in the world. The trad...
Consumption as Agency: An Exploration of the Feminine Grotesque In the genre of horror, the feminine...
As a genre that serves to unnerve its viewers, horror often operates outside of the formal codes and...
Since the birth of the genre, American horror filmmakers have posed female characters as prey and ob...
"Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-...
Horror cinema is a hugely successful, but at the same time culturally illicit genre that spans the h...
Decades of horror film research and theorizations have shown us that there is a reason why this part...
Women’s bodies have long served as a source for abject horror. Throughout horror books, movies, and ...
“Spectacular Flesh: Erotic Horror as Feminist Praxis in Women’s Literature & Film” asks, “What h...
This paper discusses a feminine aesthetic of cinematic horror informed by ethnographic study of the ...
This thesis will examine the representation of motherhood in horror cinema in order to discuss the p...
Horror has long been understood as a ‘bad object’ in relation to its audiences. More specifically, t...
From bloody scream queens to seductive femmes fatales and cold-blooded murderesses, images of comple...
Advisors: Diane M. Rodgers.Committee members: Kerry Ferris; Simon Weffer.Includes bibliographical re...