This chapter analyzes two legendary images of punk that circulate prominently in popular media. Although the two images are mutually exclusive and only describe partial aspects of punk as a whole, their broad circulation and investment of audiences in either story have real-life consequences. The chapter therefore holds that researching the images of subcultures should be a central concern for subculture studies
Book chapter in Russ Bestley, Mike Dines, Alastair Gordon & Paula Guerra (eds.), Trans-Global Punk S...
© 2018 Cambridge University Press. The emergence of punk in Britain (1976-1978) is recalled and docu...
Purpose - Research on punk culture often falls prey to three main dilemmas. First, an ageist bias ex...
Ever since it first came apparently from nowhere to shock the establishment back in the 1970s, punk ...
PhD ThesisWhen the word punk is invoked, a majority of people – in the UK, at least – will think of...
abstract: Although frequently undetected or ignored, counterculture groups commonly face misrepresen...
This paper traces the rich history of the punk subculture from its inception in England in 1976 thro...
This research correlates the three seemingly separate areas of Punk culture, visual art and educatio...
Abstract: Many music-related subcultures have their own printed media known as fanzines. These journ...
After years of alternately being declared either dead, irrelevant, or simply too outrageous to be ac...
Punk rock is a musical subculture with numerous driving forces behind it. The countercultural values...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
I advance a sociological reappraisal of the Western punk rock youth cultural artistic form. Contras...
The emergence of punk in Britain (1976-78) is recalled and documented as a moment of rebellion, one ...
Postsubcultural theory, a more recent school of thought in the study of youth cultures, grew in popu...
Book chapter in Russ Bestley, Mike Dines, Alastair Gordon & Paula Guerra (eds.), Trans-Global Punk S...
© 2018 Cambridge University Press. The emergence of punk in Britain (1976-1978) is recalled and docu...
Purpose - Research on punk culture often falls prey to three main dilemmas. First, an ageist bias ex...
Ever since it first came apparently from nowhere to shock the establishment back in the 1970s, punk ...
PhD ThesisWhen the word punk is invoked, a majority of people – in the UK, at least – will think of...
abstract: Although frequently undetected or ignored, counterculture groups commonly face misrepresen...
This paper traces the rich history of the punk subculture from its inception in England in 1976 thro...
This research correlates the three seemingly separate areas of Punk culture, visual art and educatio...
Abstract: Many music-related subcultures have their own printed media known as fanzines. These journ...
After years of alternately being declared either dead, irrelevant, or simply too outrageous to be ac...
Punk rock is a musical subculture with numerous driving forces behind it. The countercultural values...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
I advance a sociological reappraisal of the Western punk rock youth cultural artistic form. Contras...
The emergence of punk in Britain (1976-78) is recalled and documented as a moment of rebellion, one ...
Postsubcultural theory, a more recent school of thought in the study of youth cultures, grew in popu...
Book chapter in Russ Bestley, Mike Dines, Alastair Gordon & Paula Guerra (eds.), Trans-Global Punk S...
© 2018 Cambridge University Press. The emergence of punk in Britain (1976-1978) is recalled and docu...
Purpose - Research on punk culture often falls prey to three main dilemmas. First, an ageist bias ex...