Made in Yugoslavia: Studies in Popular Music (edited by Danijela Špirić Beard and Ljerka Rasmussen) is a fascinating study of how popular music developed in post-World War II Yugoslavia, eventually reaching both unsurpassable popularity in the Balkans and Eastern Europe, and critical acclaim in the West. Through the comprehensive discussion of all popular music trends in Yugoslavia − commercial pop (zabavna-pop), rock, punk, new wave, disco, folk (narodna), and neofolk (novokomponovana) − across all six socialist Yugoslav republics, the reader is given the engrossing socio-cultural and political history of the country, providing the audience with a much-needed and riveting context for understanding the formation and the eventual demise of T...
Based on quantitative and qualitative methods, the article analyzes the presence of Slovenian and fo...
U periodu jugoslovenskog samoupravnog socijalizma škole su bile najznačajnija mesta u obrazovanju ml...
Can social change be brought about only in a radical manner? Is a radical manner of bringing about c...
The article analyses the concept of so called Yugonostalgia (the nostalgia for Yugoslav everyday lif...
Prispevek se osredinja na glasbene prakse NOB po letu 1945, na njihovo vlogo pri ohranjanju spomina ...
Stikanje ljudske glasbe tako z umetno kakor popularno je konstanta njune zgodovine, iz katere jemlje...
U ovome se radu izlaže analiza časopisa za mlade Plavi vjesnik (1954. – 1973.) te rasprava posvećeni...
Naive art in Yugoslavia was not only an artistic phenomenon, but also a cultural and a social phenom...
The concept of Mediterranean-ness in the Croatian music culture - and culture in general - is largel...
Osnivanjem Elektronskog studija Trećeg programa Radio Beograd (1971), započinje zrela faza jugoslove...
V članku je obravnavan sprejem neofolk glasbe v Sloveniji, posebej neo- in turbofolk glasbe, ki je v...
Krajem četrdesetih godina 20. veka, sledom političkog i ekonomskog odvajanja tadašnje Federativne N...
Zusammen mit dem Vorbereitungsprojekt einer Gesamtausgabe der slowakischen Volksmusik Corpus Musicae...
Povijesno-komparativnim pregledom povijesti punk glazbe na prostorima Socijalističke Federativne Rep...
The paper discusses folk and folk-pop music from the perspective of the development of their symboli...
Based on quantitative and qualitative methods, the article analyzes the presence of Slovenian and fo...
U periodu jugoslovenskog samoupravnog socijalizma škole su bile najznačajnija mesta u obrazovanju ml...
Can social change be brought about only in a radical manner? Is a radical manner of bringing about c...
The article analyses the concept of so called Yugonostalgia (the nostalgia for Yugoslav everyday lif...
Prispevek se osredinja na glasbene prakse NOB po letu 1945, na njihovo vlogo pri ohranjanju spomina ...
Stikanje ljudske glasbe tako z umetno kakor popularno je konstanta njune zgodovine, iz katere jemlje...
U ovome se radu izlaže analiza časopisa za mlade Plavi vjesnik (1954. – 1973.) te rasprava posvećeni...
Naive art in Yugoslavia was not only an artistic phenomenon, but also a cultural and a social phenom...
The concept of Mediterranean-ness in the Croatian music culture - and culture in general - is largel...
Osnivanjem Elektronskog studija Trećeg programa Radio Beograd (1971), započinje zrela faza jugoslove...
V članku je obravnavan sprejem neofolk glasbe v Sloveniji, posebej neo- in turbofolk glasbe, ki je v...
Krajem četrdesetih godina 20. veka, sledom političkog i ekonomskog odvajanja tadašnje Federativne N...
Zusammen mit dem Vorbereitungsprojekt einer Gesamtausgabe der slowakischen Volksmusik Corpus Musicae...
Povijesno-komparativnim pregledom povijesti punk glazbe na prostorima Socijalističke Federativne Rep...
The paper discusses folk and folk-pop music from the perspective of the development of their symboli...
Based on quantitative and qualitative methods, the article analyzes the presence of Slovenian and fo...
U periodu jugoslovenskog samoupravnog socijalizma škole su bile najznačajnija mesta u obrazovanju ml...
Can social change be brought about only in a radical manner? Is a radical manner of bringing about c...